Hello, my friends. I'm so glad you're here because this is your chance to witness me attempting to pull off the impossible.

Over the past year, as we've made some shifts in Unshaken Saints, we're trying to make shorter videos, shorter podcast episodes,

shorter lessons so that people can have time to do other things in life.

I got some amazing feedback from one of you listeners out there

who said, thank you so much for shortening the episodes. My husband is finally listening in. He was

scared off by the long form of things. Now, that's part of you. Others of you keep reaching out

going, ah, I miss the long ones. We miss the four-hour versions where you go verse

by verse through every little nook and cranny of scripture. And honestly, it's impossible to keep

everybody happy, right? Shorten them for one group makes the other group sad, and having the long

one makes the shorter group sad. Well, this week, I might be able to make all of you happy.

We are doing Moronai chapter 1 through 6, and there's only 25 verses in total. That's it.

So today, for all of you long formers, we'll get to go through every single verse in this week's

material. And for you short formers,

it's not going to take that long. This week, honestly, in some ways, I think we're saving the

big guns for next week with Chapter 7 and 8 and 9 of Moroni. That's going to be a long one. That

one we won't be able to do every single verse. But amazing material that Mormon gets to speak from

the dust and share with us next week. This week, in some ways, is the end of the end for

Moroni. Now, granted, we'll hear his chapter 10 of Moroni in two weeks, and that's his third

and final farewell. But because chapter 7, 8, and 9 is letting dad speak, and chapter 10 is his final send-off,

really what we're seeing today is what Moronai wants us to get as his grand finale for the Book of Mormon,

which is interesting, because it's so short, there's no narrative, he's not telling any story

because the story is done, but he is truly breaking the fourth wall, looking out at the latter

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