Miranda’s Victim with Michelle Danner and Sarah Pirozek (Ep. 449)
The Director’s Cut - A DGA Podcast
Directors Guild of America
4.6 • 848 Ratings
🗓️ 22 November 2023
⏱️ 29 minutes
🧾️ Download transcript
Summary
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| 0:00.0 | I really felt that we needed as an audience to feel the anguish, the turmoil, the courage |
| 0:08.0 | of Trish. |
| 0:09.0 | And we had to be with her and we had to just feel her more. |
| 0:13.0 | And in order to feel her more, I wanted to add those nightmare scenes. |
| 0:17.0 | Because I just feel it was enough for people to say she's having nightmares. |
| 0:25.8 | I wanted us to feel viscerally by the Directors Guild of America. |
| 0:50.0 | In this episode, a landmark Supreme Court case transforms the nation and director Michelle |
| 0:55.0 | Danner's crime drama, Miranda's victim. |
| 0:58.3 | The film tells the story of Patricia Weir, who in 1963 was kidnapped and brutally raped |
| 1:03.6 | by Ernesto Miranda. Her commitment to putting her attacker behind bars destroys her life, |
| 1:09.2 | as she triggers a law that transforms America's |
| 1:11.7 | legal system. In addition to Miranda's victim, Danor's other directorial credits include the feature |
| 1:18.4 | films The Runner, Bad Impulse, The Bandit Hound, Hello Herman, and How to Go Out on a Date |
| 1:25.0 | in Queens. Following a screening of the film at the DGA Theater in New York, |
| 1:31.3 | Danner spoke with director Sarah Pirazek about filming Miranda's victim. |
| 1:36.0 | Listen on for their spoiler-filled conversation. |
| 1:43.5 | Hi, everyone. Thank you. Hi, hi, hi. I brought some cheat notes here. What a jewel box of a period film, such attention to detail. It was so, so beautiful, Michelle. I really loved it. |
| 2:01.9 | Thank you so much. Oh, you're welcome. I had the joy of watching it twice recently, |
| 2:06.8 | so I'm really happy to see it again. It's such an important subject and elevated by incredible |
| 2:14.1 | performances. The thing that I learned about Michelle |
| 2:20.3 | is that she grew up in the film industry. |
| 2:23.2 | And her father, she was kind of like Caroline Kennedy |
... |
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