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| 0:00.0 | You are a human animal. |
| 0:07.7 | You are a very special breed. |
| 0:11.6 | Or you are the only animal. |
| 0:15.1 | Who can think, who can reason, who can read? |
| 0:19.2 | Hi, this is Michael Sulfurblad, and welcome to Bookworm. |
| 0:23.0 | My guest today is Matthew Stadler, whose second novel, called The Dissolution of Nicholas |
| 0:28.9 | D. has just been published by Scribner's. |
| 0:32.1 | He's the author as well of Landscape Memory, which was his first book. |
| 0:39.8 | Just... well of landscape memory, which was his first book. Just to see, what kind of book were you writing when you wrote Nicholas D? |
| 0:48.3 | How did you describe it? |
| 0:50.1 | How would I describe it while I was writing? |
| 0:52.3 | Yes. |
| 0:53.6 | When I was asked then, I said I was writing a book about a man in a Dutch swamp because |
| 1:00.9 | it began for me with that. |
| 1:02.5 | I lived in Holland for a while and I thought it would be interesting to find out what |
| 1:07.6 | happens when a man tries to map actually an estuary called Dendullard. |
| 1:12.2 | So that's how I described it for a long time, even though as any reader can tell, |
| 1:16.7 | it evolved quite far from that origin. |
| 1:20.4 | But what kind of book did you describe it as? |
| 1:23.2 | A novel. |
| 1:25.1 | You didn't say, you know, Kafkaesque or a novel of brooding intensity. No, no, those |
| 1:30.9 | phrases never have come from my lips. I guess I, no, I don't think I ever went much further than |
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