Summary
Jane Smiley's award-winning author discusses feminism, the problems of the American farmer and the aesthetics of fiction.
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:06.9 | You are a human animal. |
| 0:11.1 | You are a very special breed. |
| 0:14.8 | Or you are the only animal. |
| 0:18.4 | Who can think, who can reason, who can read. |
| 0:22.0 | From KCRW, Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:26.8 | Today I'm happy to have, as my guest, someone who's been a guest many times, Jane Smiley, |
| 0:32.0 | and she's written a book called Thirteen Ways of Looking at the Novel. |
| 0:36.2 | It's a critical book. It's more or less in three sections, |
| 0:41.4 | a history of the novel itself, a kind of guide to how you can write a novel, followed by the |
| 0:48.4 | reading of 100 novels over a period, I think, of three years. And it's very interesting because I think, you know, what's betrayed in this book is that |
| 1:01.8 | Jane Smiley loves novels as much as anyone as much as I do, and I love novels as much |
| 1:07.4 | as anyone. |
| 1:08.6 | And yet we come from different sides of the fence as far as novels go. |
| 1:14.0 | I love the miraculous and the unreal, the novel that transports. In other words, I read to |
| 1:20.0 | escape from life. And Jane read in order to understand people more deeply. And I was trying to |
| 1:27.1 | escape the people I was understanding |
| 1:29.0 | all too well, and yet we both love novels. |
| 1:32.2 | You know, I think that often with children who become novelists, they do read to escape. |
| 1:39.5 | I read the bobsy twins. I didn't read fantasy, but I read the bobsy twins and Nancy Drew. And I found that |
| 1:45.4 | that was just as good escape fiction as anything else, you know, because my desire as a child, |
| 1:53.3 | I didn't have brothers and sisters and I wished I did. So if I could have had a twin, a twin plus |
... |
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