4.6 • 639 Ratings
🗓️ 30 January 2013
⏱️ 29 minutes
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With over two decades of acting under his belt, Matthew Lillard talks about his debut feature as director.
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0:00.0 | From KCRW, Santa Monica and KCRW.com, this is The Treatment. |
0:15.8 | Welcome to the treatment, which you can also hear at KCRW.com. |
0:19.6 | I first saw my guest director Matthew Lowe |
0:21.8 | when he was an actor. My first night at Sundance in 1999 was the debut of a little film called |
0:26.9 | SLC Punk. Most of us know him for that, or his roles in Scream or Wicker Park, which I think is |
0:33.1 | an interesting little movie. He's now a director in addition to being an actor. His directorial |
0:37.0 | debut is the adaptation of the book. Fat Kid Rules the World. Thanks so much for being here, Matthew. |
0:42.3 | I'm thrilled to be here. I want to bring up SLC Punk because that night of that first |
0:46.3 | screening at Sundance, which is my first time there, the audience so connected with Stevo. I mean, |
0:51.0 | they really did. And you've been saying that this has been kind of your entree into a lot |
0:55.5 | of worlds affected so many people latched on to that character what do you think it was about him that |
0:59.0 | people dug so much i think that there's a couple things one the energy of punk rock music the |
1:05.4 | energy of that movie i think was infusive i think that people are attracted to it. It's funny. And it has, it's great. |
1:13.8 | There's a scene in that movie that's probably the highlight of my acting career is that there's a |
1:17.5 | scene in that movie where my best friend dies heroin, Bob, and I lose my mind and end up sobbing |
1:22.0 | and crying. And there's real pathos in that movie. So there's energy and real emotional stakes. |
1:28.2 | And I think that people relate to that. |
1:29.7 | And I think the other thing is that it was the best about independent film. |
1:35.4 | You know, it's outside the box. |
1:37.0 | And it just struck a chord. |
1:39.2 | And it's also a movie that's built for a demographic of disenfranchised punk rock kids. And generation |
1:45.1 | after generation keeps finding that movie and owning that film and rediscovering that film. And I think |
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