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Best of the Spectator

Marshall Matters: With Rosie Kay

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 1 August 2022

⏱️ 36 minutes

🧾️ Download transcript

Summary

Winston speaks with dancer and choreographer Rosie Kay. Rosie is returning to the world of dance after being forced to resign from her eponymous company in 2021 when she ran afoul of trans ideologues. 

Rosie discusses the world of dance, controversial choreography, ideological capture, emotional impact of being cancelled, Virginia Woolf and much more.

Transcript

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0:00.0

Hello and welcome to Marshall Matters with me, Winston Marshall at the Spectator Buildings in London.

0:11.0

Today I'm joined by Rosie Kay and it's a day for celebration because Rosie has just launched K2 CEO, her new dance company.

0:20.0

But the reason behind why she even had to start a new dance

0:23.6

company in the first place is a little sad, perhaps to say the least. Rosie's here to tell us all

0:29.9

about that. Rosie, thank you so much for joining me today. You're welcome. Thanks for inviting me.

0:34.9

So can you, before we talk about the exciting new project you've got,

0:39.4

can you tell us about your story and why you've had to start anew?

0:44.3

So I'm a dancer and choreographer.

0:46.8

I've done since I was very, very young.

0:49.1

And I've been lucky enough to have it as the sort of meaning of my life really. I danced professionally for quite

0:56.1

a few years, mostly abroad, but also in the UK. And then I almost gave up. I kind of went down

1:01.7

the wrong track and I realised that I wanted to actually be a choreographer. I wanted to make my own

1:06.1

work. So in 2004, I returned to the UK. I set up my own dance company, Rosie K dance company,

1:13.6

and I started to explore the funding with the Arts Council and making first solo and duet work

1:20.3

and then I built up to sort of large-scale productions. So we were doing quite well and we applied

1:27.2

to get regular funding.

1:29.2

And I was advised at the time to turn my company that was limited by share into a charity.

1:35.9

And under English law, I had to voluntarily step down as a director and I became an employee.

1:44.0

But it was still my name and I was the sole

1:46.3

artistic creator and I earned the money and you know I ran the company basically so I really still

1:52.5

felt it was my company and I had a board of trustees many of whom I'd known for many many years

1:58.8

and it was quite a sort of hands-off approach I just got on making my work I'd known for many, many years. And it was quite a sort of hands-off approach.

...

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