Hi everybody, it's Neil Brennan's The Box Podcast. My guest today, I've known for about 30 plus years.

He's got a new tour called the Wild Child Tour and he's got a Amazon special called Good Grief.

Ladies, gentlemen, my guest today, Mr. Marlon Lyons.

I've asked Neil many of times if you wanted to produce

one of my terrible shows and he's always wise enough to be like no no

I'm busy okay so let's get into it you have have legitimate blocks. I don't want to say you have white blocks, but I'm

I'm very happy to see the potential racial cross over we can do with this, the reparation work we can do with this.

Okay, all of them are surprising given what it looked like publicly.

Your first block is anxiety.

From my point of you, you were sort of

Keenan and Damon come out here, they clear the land, and then it looked like you and you

and Sean were able to walk in and have it easier.

I'm sure it wasn't easy, but it looked easier than for a lot of people and you have anxiety and I'm wondering like how did how did that play against all the things that were happening because perception isn't reality.

Yeah. It was actually it was hard on

Damon and Keaton to black man in that era trying to make it. I have so much

for fact, Townsend, especially. I mean just slot for one it was Eddie yep and all

yes of the guys who's fighting to find this respect yes so it was hard for kidding

and them but when me and Sean came out at least they had before the world met

Keenan and Dement they had 20 years to home their craft.

20 years to hit the stages.

20 years to figure out the science

that goes with our art.

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