Margaret Cho & Whit Stillman
Bullseye with Jesse Thorn
NPR
4.7 • 2.7K Ratings
🗓️ 10 May 2016
⏱️ 74 minutes
🧾️ Download transcript
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| 0:00.0 | Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. |
| 0:12.6 | It's Bullseye, I'm Jesse Thorn. Can you imagine being regularly introduced at work by |
| 0:18.6 | your gender? Like before someone even gives your name? Margaret Cho used to experience |
| 0:25.0 | that on a nightly basis. And comedy audiences didn't hold back about how they felt. |
| 0:30.7 | No, ladies and gentlemen, we have a woman. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, |
| 0:37.7 | worst. It's weird how that sort of misogyny that was sort of existed there. I don't know |
| 0:44.1 | where they got it from because women comedians are so funny. Like that's never been an issue |
| 0:48.3 | with women comics. Like I never ever thought women were any less powerful than a male |
| 0:54.2 | comic, but they just had this assumption. But then women have to be so much better anyway |
| 0:58.9 | to serve last in comedy. We have to really excel to go anywhere. It's Bullseye. |
| 1:12.3 | I'll talk with Margaret Cho about growing up in San Francisco under the care and tutelage |
| 1:17.0 | of gay men. The Castro scene in the 80s made her feel more comfortable discovering her |
| 1:21.6 | own identity. The culture that was them just coming from all these small towns and going |
| 1:27.0 | to San Francisco in New York and suddenly being allowed to be themselves not only as a great |
| 1:32.1 | to be gay, it's phenomenal. We'll also talk about the unusual level of responsibility |
| 1:37.8 | Cho has felt over her life. First, as an in-house translator for her parents later as an Asian-American |
| 1:44.6 | trailblazer in entertainment. Plus, I'll sit down with the writer and director Whit Stillman. |
| 1:50.1 | There's new movie Love and Friendship. It's adapted from Jane Austen. But you might |
| 1:54.6 | notice a little bit of a fret pack vibe in there. It's a kind of comedy that I would have |
| 1:59.8 | loved to have gotten into, but no one's going to offer me a wheelchair or film. But I can |
| 2:05.0 | write some of that kind of comedy and put it into my films. And I'll tell you about the |
| 2:09.8 | value of being an in-betweener. That's all coming up on Bullseye. Let's go. |
... |
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