Today we are going deep into the process. This one is not for the comic book faint of heart.

It is about the construction of the comic book pages that we hold so dear.

We are going to talk about the talents and the virtues of the finisher, the embellisher.

We're going to toss around a lot of terms today, breakdowns, layouts, pencils, inks.

This is one of those comic book 101 episodes.

It is deep, deep about the details, about the art, what separates comic books from novels

and what separates great pages from mediocre.

It is all about getting those finishes and admiring that embellishment on an all-new

episode of Robeservation.

Hey, everybody, welcome to another edition of Robeservations. I am your host, Rob Leifeld. I have been

making comics for 37 years and counting.

I have no intention of letting up anytime soon.

I was hired to create comics for the very first time in 1987, saw my very first work printed

in 1987 and have

never looked back

made comics

via illustrating them, writing them,

inking them, producing them.

And yes, even going to the

actual printer and

watching and and assisting in the printing of them because

I just wanted to have every facet of that covered. How many, come on, how many publishers,

...