There are no good parts of this podcast, so this is the cold open.

Change our mind.

Think I'm out on Lord.

Ah, welcome to the good side.

It took two songs.

Yeah, this second one, I was like, I was pretty out on the first one.

Definitely out on this one.

I am so fucking in on Greenlight because it's a Taylor Swift song. How can you not like a Taylor Swift

song? It's so great. I want my Taylor Swift songs from Taylor Swift. Exactly. And that's why,

with liability, the one that came out this week, oh man, just everything fucking about it. It makes

me so mad. It's a a good song it's a fine song

my ultimate conclusion isn't that i'm out on lord it's that i uh i didn't think i would

arrive here i think i hate jack antonoff ooh that's a that's a hot take like i think i'm

actually done with jack antonoff i want taylor swift to stop working with him i want him to

either do fun or he can say working with him. I want him to either

do fun or GTFO. He can say working with Taylor Swift and all that other stuff, but like,

Lord is too different. Exactly. Like, this motherfucker's contaminating Lord. He's turned her into like a basic

bitch. Yes. And that's, because that's what he is. I mean, he, the songs that he writes for Taylor Swift aren't good songs, but they're fun Taylor,

like out of the woods might be the worst song that's ever been.

That is the worst song of all time.

And Torn by Natalie and Brulia exists.

Yes, that song is amazing.

...