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Talk Art

Louisa Buck (Cork Street Galleries special episode)

Talk Art

Russell Tovey and Robert Diament c/o Independent Talent

Talk Art, Contemporary Art, Art Talk, Studio Visit, Arts, Modern Art, Celebrity, Drawing, Sculpture, Artist Interview, Artwork, Painting, Visual Arts, Art, Robert Diament, Entertainment, Russell Tovey

4.6 • 1.2K Ratings

🗓️ 1 December 2025

⏱️ 60 minutes

🧾️ Download transcript

Summary

#AD - Cork Street Galleries special episode!

We meet art critic Louisa Buck to explore 100 years of Cork Street!


Cork Street Galleries this year celebrates its centenary as a pioneering force in the art world, 

with 2025 marking 100 years as the iconic London art destination. A specially curated programme honours its rich legacy as the historic and enduring home of modern and 

contemporary art in London.


In tribute to the centennial year, a first-of-its-kind initiative, a group exhibition entitled Fear Gives Wings to Courage was staged across all 15 galleries on Cork Street in the Summer, with each gallery presenting a response to a central theme conceived by Tarini Malik, curator of modern and contemporary Art at the Royal Academy of Arts, London.


Fear Gives Wings to Courage has been commissioned in three parts as a response to the curatorial theme conceived by Malik. This is comprised of Fear Gives Wings to Courage Part I; a new edition of the Cork Street Galleries Banners Commission forming an outdoor element of the 

exhibition on view until the end of 2025; Fear Gives Wings to Courage Part II; a presentation 

of works within each participating gallery space, on view from 11 to 25 July 2025; and Fear 

Gives Wings to Courage Part III; CATALOGUE Issue 8:0, guest-edited by Malik, which coincided with Frieze London 2025.


Taking its title from Jean Cocteau’s seminal 1938 work La peur donnant des ailes au courage

(Fear Giving Wings to Courage), the exhibition celebrates 100 years of Cork Street and the 

transformative potential of artists' voices both within gallery spaces and outside of them. 

Gesturing to the street's long-established cultural history, the exhibition's theme recalls Cork 

Street’s pioneering role in transforming London into a hub for international art practices in 

the twentieth century, while also making it one of the key platforms in Europe for the 

expansion of Surrealist and Dadaist movements.

13 years after Freddy Mayor established the first gallery on Cork Street in 1925, Peggy 

Guggenheim opened her 'Guggenheim Jeune' gallery in 1938. While hosting her first show 

with the famed polymath Jean Cocteau, the gallery stirred up significant controversy due to 

his painting La peur donnant des ailes au courage (Fear Giving Wings to Courage), which was 

confiscated by British customs authorities upon arrival in the United Kingdom. Similarly, this 

exhibition nods to the necessity of the gallery ecosystem in encouraging, upholding and 

presenting artists' practices that are assertions of agency in the face of societal and political 

pressures. The galleries on Cork Street were asked to respond to the theme with artists’ work 

that can be thought of as emblematic of Cocteau’s unabashed vigour and Guggenheim’s 

abiding belief in supporting artists. The galleries were also encouraged to profile artists who 

continue to draw from the legacies of Surrealism, not as a mere style or movement within the 

Western canon, but rather as a state of mind; a fluid, boundless approach of navigating 

notions of the self and society that transgress borders and temporalities. 


Follow @CorkStreetGalleries and Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! Follow Louisa Buck on her Instagram @LouBuck01


Hosted on Acast. See acast.com/privacy for more information.

Transcript

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0:00.0

Good afternoon, good morning, good evening.

0:08.4

Wherever you are in the world, I'm Russell Toby.

0:10.3

And I'm Robert Dianette.

0:11.1

And this is Talkart.

0:12.0

Welcome to Talkard.

0:13.5

What are you today, Robert?

0:14.9

Today, Russell, I am feeling courageous.

0:18.6

Oh, that's a nice feeling.

0:19.6

And a bit festive because we're coming to the

0:22.8

end of the year. And we are actually here in central London. We have returned to one of our

0:27.7

favourite art locations, which is Cork Street. And it's a hundred years. It's the centenary

0:33.3

of Cork Street this year. This is the closing of the year, isn't it? This is the closing of the year.

0:38.1

And we're here to commemorate an incredible array of exhibitions that have happened this year,

0:43.9

including a historic bringing together of all the 15 plus galleries that are on the street here,

0:50.2

who did a joint exhibition in the summer.

0:52.6

And also celebrating the incredible banners, which this year have been curated by Terini Malik, the wonderful curator, who we've actually previously spoken to on talk art with Sir John Ocumfra, the legendary artist, who also did the banners last year in 2024. We did that in Venice, didn't we? Yeah. And I was coming up to London this morning, and I was thinking to myself, isn't it amazing that in the past kind of few years that Cork Streets become somewhere that we all go to? It's a destination. I was here last week in London and somewhere I go now is Cork Street. Whereas if you thought about a decade ago, 15 years ago, the only reason I ever came here was maybe like Studio Voltaire did their amazing House of Voltaire pop up. And they did that, I think,

1:28.2

around Christmas time or something. But it was, I remember coming then. But even then, I

1:32.3

remember going in there and actually seeing our guests that we're meeting today in that shop.

1:36.1

And I remember thinking, like, what a strange location. Like, this feels so old fashioned.

1:39.8

And so true. But the amazing thing is, this street has kind of survived so many different parts of history.

1:47.0

So like World War II, you know, like the pandemic more recently, but also even like political

1:52.7

attacks from art groups who have even come and like painted over all the windows.

...

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