4.6 • 806 Ratings
🗓️ 31 May 2019
⏱️ 29 minutes
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0:00.0 | Hello, and thanks for tuning in to another episode of the director's cut, brought to by the |
0:05.1 | Directors Guild of America, featuring today's top directors sharing behind-the-scenes stories |
0:09.8 | of their latest films and insights into the craft of directing. Please take a second to subscribe |
0:15.2 | to our show wherever you get your podcasts. |
0:28.3 | This episode takes us behind the scenes of director Jonathan Levine's new romantic comedy, |
0:33.0 | Longshot. The film tells the story of Fred, a free-spirited journalist who unexpectedly reunites with his childhood crush Charlotte, now one of the most influential women in the world. |
0:39.3 | After Fred is hired to be a speechwriter on Charlotte's presidential campaign, |
0:43.3 | sparks fly and their chemistry leads to a romance, even though on the surface the two have nothing in common. |
0:49.3 | In addition to long shot, Mr. Levine's credits include the feature films, |
0:53.3 | Snatched, The Night Before, Warm |
0:55.7 | Bodies, 50-50, The Wackness, and All the Boys Love Mandy Lane, the pilots for the series |
1:02.5 | I'm Dying Up Here and Rush, and episodes of the series The Screen Junkies Show and How to Make It in America. |
1:09.9 | Following a recent screening of the film at the Harmony Gold Theatre in Los Angeles, |
1:13.6 | Mr. Levine spoke with director Ruben Fleischer about filming Longshot. |
1:18.6 | During their conversation, they discuss how Mr. Levine came to direct the film, |
1:22.6 | his collaboration with Seth Rogan and Charlize Theron to enrich the material, and his thoughts on integrating improvisation without being indulgent. |
1:35.3 | I hope everybody enjoyed this movie as much as I did. |
1:38.3 | Thank you. |
1:40.3 | I mean, I saw it like a week ago and I've just been telling everyone all week, like just, it's the funniest move I've seen in such a long time. |
1:48.0 | And just, another thing I love about it is just how beautifully shot it is. |
1:52.0 | Like, I think your filmmaking is on full display in this film, which is rare in a comedy, where you usually just have a bunch of cameras set up for improv. |
2:00.0 | But there's such a craft to this film that I |
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