And I'm saying hello to John Gimberling. Are you here, John? See here. It's the next

guys here. There he is. Brett Gellman and Brian McCann. What's up guys? Hey man.

Grab a microphone. What's going on? Welcome. So happy. Look at this.

Can forever. What's up, buddy? Oh, hey man. At a timer set, my parking is one hour.

Okay. You have a car in the city. No, I came from a Rockland County. Nice. Is that

any? Is that anywhere near where the escapees are? I don't know where Rockland is.

Oh, no, the escapees are well-north by now. Yeah. Do we know the current news? Is one guy

still on the lamb? Yes, he's still on the lamb. Yeah. Maybe he's here right now. What's

that? Maybe he's here right now. Not be in the audience. He could be like, I'm going

to DCM. That's probably why they escaped at that certain time to make DCM. I probably let's

cut to the, let's cut to that prison cell. Right. As this game's happening. Yeah, it's

in a month. Let's go. Damn premium shows already sold out. The fuck are we doing, man?

Let's just stay in here. All right, slides out. God damn it. I got to get to that daily

show, writer show. Hey, yeah, it's me, Snake. I hear it's up, Snake. Will you guys shut

the fuck up about long form improvisation, please? You understand? You understand that it's

like a, it's a way of life, dude. It's not just a set of principles for comedy. It's some stupid

nerd shit, okay? I don't got it here. I'm already in here for life. I don't have to hear

you guys talking about fucking long form all the time every day, every night. And besides,

it don't get better than Greg Proops and Colin Machery. Getting down. T-bone, man. Nobody

watches that show anymore on the outside. No? Oh, well, I got it here. Yeah, you

got a bunch of it in my head. In my head. If I have to hear you sing another hoedown

jam from Colin Machery, man, I'm going to put a gun in my head. Jesus Christ. Put your arms

...