4.4 • 1.6K Ratings
🗓️ 15 November 2025
⏱️ 12 minutes
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| 0:00.0 | It's the Late Show Potshow with Stephen Colbert. |
| 0:08.0 | I'm Ian McKeure. I come from London, and I'm a British novelist. |
| 0:15.0 | Ian, thanks for being here. You are one of the most celebrated and critically acclaimed writers of our time. You are the author |
| 0:21.5 | of 19 novels and two short story collections. And today you are here to talk about your latest novel, |
| 0:27.9 | What We Can We Can We Talk About the title, What We Can Know? As the book goes on, you start thinking, |
| 0:34.1 | can we really know anything? What does the title mean to you? |
| 0:40.9 | It runs on several levels. |
| 0:45.2 | What we can know about the past, what we can know about the future, |
| 0:47.6 | and what we can know about each other, |
| 0:52.0 | and how difficult it is sometimes to break through even to the person closest to you. So it's a dialogue |
| 0:58.4 | with history, with futureology, the future of love, the future of history. In some senses, |
| 1:05.9 | it's, I guess, a science fiction novel without the science. I'm interested in all those things that science |
| 1:14.5 | fiction don't look into, like what's the future of universities, humanities, intellectual life, |
| 1:20.6 | artistic life, but also love, betrayal, changing circumstances through time, and getting the present and past and |
| 1:30.3 | future all into some kind of dialogue with each other. |
| 1:33.3 | How did you choose 2119, 94 years from now, as the amount of time in the future you wanted |
| 1:41.8 | to set this story? |
| 1:43.3 | I started with 400 years and then a very |
| 1:49.8 | good friend of mine who's one of my first readers on his first reading of an early draft said, |
| 1:59.7 | I think 400 years is too long. You're writing in the same |
| 2:02.9 | language, you know, and although you've got all kinds of explanations of why language hasn't |
| 2:08.4 | changed much, it would be so much more alive if it was a future that we could almost reach out |
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