all right welcome to another episode of jays analysis of course this time i have too of my

more recent favorite people in the sense of camaraderie when it comes to not just film

analysis but also orthodoxy um i have my buddies from siop cinema and uh if you've if listening, you know, I went on their podcast recently and we covered

some pretty interesting stuff, including a Jungian dark surrealist film called Come True.

And then I've been listening to their other installments where they go into analyzing religious

engineering from the perspective of Nolan films, Revelation the Method and Nolan films,

The Green Knight, and now they're doing Snyder films.

So I'm going to let them give kind of an introduction to their podcast, how they got going, and then maybe a little

bit about what they've been talking about recently, and then we'll get into where we plan to go

tonight, which is to analyze a few weird selections. There will be the 1990 installment of hardware, which I've been meaning to analyze for a long time

because the director said that Hollywood is a Gnostic empire, some comment like that where

he pointed out that Hollywood is basically just pure Gnosticism.

And we see this in hardware.

And then we're going to be looking at Empty man, a more recent film that had to do with

Tibetan Buddhism, Tulpas, and perhaps even worse than that.

And then we're going to be looking at the Luke Bisson, I think it's 90 or 91 film Lafam Nikita, which is a pretty well-known spy film

because I thought there was some direct relevance to recent things with Jeff Stein

Epry, if you know what I'm talking about, because that was a, you know, I think there's a lot

of mind control. There's a lot of, you know, sexual programming, et cetera, going on in that film,

which was way ahead of its time in terms of, you know, the public really not having any clue

about any of that stuff going on.

So we'll be looking at here in a minute, but guys, tell me a little bit about Saup Cinema,

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