Hey,

Hey, everybody, it's me. You're screaming heroin wizard.

Holden me nearly.

Ah, don't grab me, you giant ape.

And it's me, your fast-talking Hollywood movie man, Carl Denham slash bruiser.

And this picture's going to need a dame, and it's going to need a monkey, and it's going to need savages,

and it's going to need several women getting thrown to their deaths, and it's going to need a monkey, and it's going to need savages, and it's going to need several women getting thrown to their deaths,

and it's going to need every hacha-cha-cha-cha.

What a movie.

The world will be singing its praises.

I just need a fancy face and a real big gorilla man.

And yes, of course, we were talking about the original King Kong, a 1933 King Kong film today,

as well as the beginnings of the franchise as we know it, leading up to, of course, King Kong versus Godzilla,

the remake, the rebooted match him up the rebooted, uh, match him up.

The monster verse.

The monster verse.

The monster verse, modern hit that we're all looking forward to.

And explain how this came to be because it's such an odd scenario where there's this

American monster movie, this Japanese monster film.

They each had two, two additions in their, in their franchise up to that point only,

and then came together to essentially re-spark their popularity in the 60s.

It's such a weird tale.

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