4.7 • 837 Ratings
🗓️ 26 November 2019
⏱️ 29 minutes
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| 0:00.0 | If there's one word to describe Kenny Leon's production of Shakespeare's Much Adieu |
| 0:04.3 | About Nothing, maybe the best one is exuberant. |
| 0:08.6 | You know your answer. |
| 0:09.5 | The fault will be in the music, cousin, if you be not wooed in good time. |
| 0:14.6 | You apprehend passing shrewdly. |
| 0:16.9 | I have a good eye, uncle. I can see a church by daylight! |
| 0:21.6 | We're happy little bit, |
| 0:23.6 | see what happens, see what happens if we make the magic baby, we can make it happen, we can make it happen, baby, let's take a chance and be a dance from the Folger Shakespeare Library, this is Shakespeare Unlimited. |
| 0:46.0 | I'm Michael Whitmore, the Folgers director. |
| 0:49.0 | There are plenty of other words you could use for this production, too. |
| 0:53.5 | It's contemporary. |
| 0:55.5 | And I would, I could find in my hort that I had not a horde hort. |
| 0:59.5 | It can be sassy. |
| 1:00.9 | I wonder that you will still be talking, Signor Benadick. |
| 1:04.3 | Nobody marks you. |
| 1:05.6 | And especially, it's political. |
| 1:08.8 | Pick it lines and picket signs. |
| 1:14.4 | Don't punish me with brutality. |
| 1:19.2 | Come on talk to me. |
| 1:21.6 | Talk to me. |
| 1:22.5 | So that you can see, oh, what's going on. |
| 1:26.7 | In this production, set in his longtime hometown of Atlanta, |
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