4.7 • 837 Ratings
🗓️ 10 December 2019
⏱️ 38 minutes
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| 0:00.0 | Every once in a while, you get a chance to talk to a living legend. For people who love Shakespeare, one of those conversations is coming up. |
| 0:14.0 | From the Folger's Shakespeare Library, this is Shakespeare Unlimited. |
| 0:21.6 | I'm Michael Whitmore, the Folgers director. |
| 0:24.5 | In the world of mid-20th century, Shakespeare performance, it is hard to think of anyone |
| 0:29.6 | as influential as Peter Brook. He started at the Royal Shakespeare Company with a production |
| 0:35.1 | of Love's Labor's Lost in 1946. |
| 0:38.3 | And for much of the next 70 years, his thinking and his productions have changed the way English-speaking directors in the West approach and stage Shakespeare. |
| 0:48.3 | He directed John Gilgood in Measure for Measure in 1950, the Winters Tale in 1952, and The Tempest in 1957, |
| 0:57.0 | Lawrence Olivier in Titus Andronicus in 1958, and Paul Schofield in King Lear in 1962. |
| 1:06.0 | And he's perhaps best known for his production of a Midsummer Night's Dream in 1970 with John |
| 1:12.0 | Kane, Francis de Latour, Ben Kingsley, and Patrick Stewart. |
| 1:17.6 | That production not only changed Shakespeare, but if you went to the theater in the 1970s, |
| 1:23.1 | you saw its impact outside the Shakespeare World too. |
| 1:27.1 | Shows like Pippin, Candide, Godspell, and others all drew from Brooks' revolutionary staging and |
| 1:34.3 | design. |
| 1:35.3 | Now that he's 94 years old, you might think Peter Brook would slow down. |
| 1:40.3 | You would be wrong. |
| 1:42.3 | He wrote and directed the play Battlefield, which premiered at the Young Vic in 2015, and he's |
| 1:48.6 | written two new books, Tip of the Tongue in 2017, and his latest, Playing by Ear, Reflections |
| 1:55.8 | on Sound and Music. |
| 1:57.9 | We are thrilled to bring you our interview with him now in a podcast that we call My Age is a Lusty Winter. |
| 2:04.6 | Peter Brook is interviewed by Barbara Bogave. |
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