4.6 • 770 Ratings
🗓️ 28 October 2022
⏱️ 38 minutes
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BoF’s editor-in-chief Imran Amed spoke with the founder of degrowth brand Early Majority about the power of energised communities and what the future of token-gated commerce looks like.
Background:
The seed of inspiration for Early Majority has been growing in founder Joy Howard’s mind since her days at Patagonia in the early 2010s. Howard grew to understand the contradiction between fashion’s constant drive to sell more against the industry’s efforts to curb its environmental impact. This sparked the question in her: can a brand focus on selling timeless products rather than an endless array of new collections?
Early Majority sells “layered” outerwear, which it packages in “kits” that include everything from light windbreakers to cold weather puffers. It also offers a membership programme, where customers who mint an NFT gain access to lower prices, exclusive products and other benefits.
“[Early Majority is] a different experience than ‘just buy this,’” she said. “These very transactional experiences that we have with brands are not that great for either side in the long-term.”
Since founding Early Majority, Howard has bet on paying members enabling the brand to meet its aim of creating the fewest number of products for the maximum possible number of uses and just as critically engaging a community well versed in the brand. Howard has her heart set on meeting customers’ needs while changing the way consumers think about product lifespan.
This week on The BoF Podcast, BoF’s founder and editor-in-chief Imran Amed speaks with Howard about why degrowth is the future for fashion business models and how she has progressed towards her goals.
Key Insights:
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0:00.0 | Hi, this is Imran Ahmed, founder and CEO of the Business of Fashion. |
0:08.7 | Welcome to the Bof podcast. It's Friday, October 28th. The buzzwords around Web 3, |
0:15.0 | sustainability, decentralized autonomous organizations, these are the buzzwords that have been |
0:20.5 | taking over the fashion industry of late. |
0:23.0 | In this week's episode, I chat with Joy Howard, who came up through the ranks of consumer |
0:27.2 | packaged goods and has had a long and successful career in the fashion industry before |
0:32.4 | deciding to venture out on her own as an entrepreneur well into her career. |
0:39.5 | In this conversation, we share a little bit about what Joy is trying to build with her company early majority, which is embracing the |
0:44.2 | philosophy of de-growth, i.e. making fewer things so we can reduce the fashion industry's impact on |
0:50.2 | the environment and live within planetary boundaries amid a climate crisis that continues to |
0:55.7 | worsen. There's a very interesting conversation with Joy Howard on the Bof podcast. |
1:03.3 | Well, hello, it's great to see you again, Joy. Welcome to the Bof podcast. |
1:08.8 | Thank you, Emron. It's such a pleasure to be here. And I have been |
1:12.9 | looking forward to this conversation because ever since you and I first met some time ago now, |
1:18.8 | I've been interested in this topic around degrowth and everything that early majority |
1:24.4 | and you and early majority are trying to achieve. But before we dive into all of that, |
1:30.1 | your pathway to this moment in your career is actually really pertinent as it helped to carve the way |
1:38.2 | for you to end up pursuing the strategy and approach that you are taking now. So I wanted to start with a bit of |
1:47.5 | background on you in your career. And actually, I understand, you actually trained as a musician. |
1:52.6 | So how does a musician end up working in the fashion business? Oh, gosh. Well, it has been quite a |
1:58.7 | journey. And it's true. I was a recording artist in the 90s. I was in a band that you would basically describe as shoegaze, and we had a lot of good fortune to be signed as part of the post-Nirvana indie major label Gold Rush. So the whole theme of digital disruption, I mean, it runs through all of our lives, but it really |
2:18.2 | is run through my career because basically I left the music industry in 2000. |
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