I just don't want to fight over Lala Land or three billboards.

It's not worth fighting about.

Crash!

That is a movie worth fighting and dying over.

I'm Sean Fennesee, Editor-in-Chief of the Ringer, and this is the big picture, a conversation

show with filmmakers.

However, today we will not be having a conversation with filmmakers.

I'll be having a conversation with some of my colleagues, and there's a good reason

for that.

It is Oscar Week.

Oscar Week is a very exciting time.

At the Ringer, it's a very exciting time in the movie world.

And to mark that time, we recorded a series of videos here at the Ringer, where we had a

series of conversations about the biggest questions in the Oscar races this year.

I was a part of some of those conversations, and so I'm looking forward to sharing some

of them with you here in audio form.

Some of them will be about three billboards, and whether or not it is, let's say, Crash

2.0.

And another one will be about the shape of water, which many people consider the front runner

and the best picture race, and identifying out of these two big movies what is really

leading the pack and why, and what the ramifications of a win for those movies will be.

In addition to that, I hope you'll check out the rest of our Oscars coverage on theRinger.com.

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