How The Murdaugh Boat Crash Story Changed After Alex Got Involved
Hidden Killers With Tony Brueski | True Crime News & Commentary
True Crime Today
3.3 • 907 Ratings
🗓️ 16 May 2026
⏱️ 49 minutes
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Summary
Morgan Doughty's first written statement — given before Alex Murdaugh got to anyone — allegedly said Connor Cook took over driving the boat before the crash that killed Mallory Beach. By the next day, the story had changed. According to James Lasdun's new book The Family Man, a whispered conversation between survivors at the hospital happened while Alex was prowling the hallways, allegedly trying to force his way into patients' rooms and telling people what to say. The accepted narrative of who was behind the wheel may have been constructed after the fact.
That's the kind of detail The Family Man is built on — patterns of manipulation that predate the murders by years and that have never been fully reported. After the staged roadside shooting, Alex sat with a sketch artist and created a composite of his supposed attacker. According to the book, the portrait looked like Anthony Cook, a boat crash survivor. With a bullet wound in his head, Alex was still allegedly pointing investigators toward specific people.
Lasdun also uncovered a $5,000 personal check Alex wrote to a Yemassee police chief who was at the Moselle crime scene the night of the murders — backdated by months, never explained. And connections between Alex and a jellyfish-processing operation near Moselle, whose lawyer was convicted decades earlier of laundering drug money through offshore accounts.
The book goes further into the psychology. Researchers have identified a type of family annihilator called "anomic" — men who see their families as extensions of their own success. When the empire falls, the family becomes obsolete. The documented cases that mirror Alex's profile share one constant: the people closest to the killer always described him as a loving family man. The first officer at Moselle said Alex's eyes were wrong — low blink rate, staring off like he was reading from a script. Hours later, he was sobbing in a SLED agent's car and it looked completely real. The book argues both may have been genuine simultaneously.
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Transcript
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| 0:00.0 | This is the big breakdown. |
| 0:02.2 | A long look back at some of the biggest stories we're covering for you at the Hidden |
| 0:05.9 | Killers podcast and True Crime Today. |
| 0:09.3 | This is Hidden Killers with Tony Bruske. |
| 0:12.4 | Here now, Tony Bruske. |
| 0:15.8 | The Murdoch case didn't start at the kennels. |
| 0:18.1 | It started in patterns. |
| 0:20.7 | Patterns of control, patterns of manipulation, |
| 0:23.8 | and staging that Alec had been perfecting for years. The family man by James Lasden traces |
| 0:30.8 | those patterns through original reporting and interviews that go deeper than anything that came out |
| 0:36.7 | at his trial. What emerges isn't a portrait of a man who snapped in the moment. |
| 0:41.9 | It's a portrait of a man who'd been rehearsing or really had been doing himself, |
| 0:48.1 | being Alec, being Alec, all this time. |
| 0:51.7 | It just seems that the perspective of adding a little murder to the mix made people look a little bit differently at it. |
| 1:00.6 | James, thank you so much for joining us. Very much looking forward to having this conversation about this book, The Family Man. |
| 1:09.5 | I want to ask you, before we kind of get into the meat of the book, |
| 1:13.7 | what is your relationship to the story, |
| 1:16.4 | meaning like when did you hear about it? |
| 1:18.5 | What drew you in? |
| 1:19.9 | And what made you say, I think there's more to tell here |
| 1:23.1 | than just what we've been hearing thus far. |
| 1:27.0 | Well, first of all, thank you so much for inviting me to come and talk to you about it. |
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