4.8 • 618 Ratings
🗓️ 9 June 2025
⏱️ 18 minutes
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0:00.0 | Friends, as you know, I'm co-producing Real Women Have Curves the musical now on Broadway, |
0:16.0 | and at the heart of that story is Anna, an 18-year-old daughter of immigrants, the only U.S. citizen in her family, |
0:22.4 | who is desperate to go to college and pursue her dreams. Her older sister, Estella, who has |
0:27.3 | talent and ambition she is pouring into the family's garment business, and their mother, Carmen, |
0:32.4 | who is laser-focused on keeping her family together. The love and tension among these three women is the |
0:38.8 | engine that propels the storytelling and is brought to life every night by the mega-talented |
0:43.7 | Tatiana Cordoba as Anna Florensia Cuenca as Estella and Tony nominated Justina Machado as |
0:50.1 | Carmen. We're going to talk about what goes into building a character and originating a role, a rare |
0:55.6 | and very special experience, and what rushes through their minds each night as they disrobe |
1:01.4 | in front of a thousand strangers. Hi, friends. |
1:16.7 | Hi. |
1:17.9 | I feel like I have the whole family here, like a family reunion. |
1:21.8 | You know, Justina, I had not realized that you played Anna, the daughter, in an earlier part of your career. |
1:27.8 | I was doing a play at the Latino Chicago Theater, and Josefina Lopez was there, and she walked into my dressing room, and she said, |
1:34.8 | there's a play about me, and we're going to do it at Victory Gardens, and I want you to play me. |
1:39.4 | And I said, okay, and then that's how it happened. |
1:42.9 | And I really didn't even understand the material, |
1:45.6 | being from Chicago, a city that's very segregated, that everybody kind of grows up in their own |
1:50.0 | neighborhood. I grew up with a lot of Mexicans in Chicago because it's a huge Mexican population, |
1:55.7 | but I didn't even know about La Migra. I had all of these Mexican friends, and I'd never heard of anything |
2:03.0 | like that at 19 years old. So that was my introduction to that world. And to me at that time, |
2:09.1 | it was just a gig. And it was like how I got my equity card. Real Women have Curves. |
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