Hey everybody welcome back to cold case murder mysteries. I'm your host

Ryan Krauss back in the driver's seat once again to take you inside the psychological

implications of a harrowing unsolved triple homicide.

On the night of September 17, 2006, 18-year-old Rebecca Freedley, her mother, 53-year-old Vicky

Freedley, and Vicky's partner, 51-year-old John Hayward, were found viciously murdered at their opinion pines California

residence when a call drew local firefighters to the scene of the burning home.

What they found outside was nearly unspeakable.

In front of the home sat a wheel barrel, and inside it was the fiery remains of Rebecca

Freedley, whose upper left torso seemed to be the most concentrated area in relation to the accelerant used to start the blaze.

Now, since I'm so strange, I believe I know who did this even before entering the home so to speak.

I just get out my evolutionary mirror and look for binary equivalents

of emotional values related to potential motive. It doesn't make anyone guilty of course, but our world,

while not geared toward your perception as a series of talisman and symbolism rendered as guidepost for understanding, is exactly that.

It's supposed to be intuitive for most people, but I don't have a filter on these explicit renderings. I see them as what they are.

So when Chris Watts has an affair and falls in love, he wishes he never had his daughters and never met his wife.

He wants them to disappear. So he takes them each to a

symbolic womb in the form of the two oil tanks with the small openings they have to be stuffed through, reversing the process of birth,

where they go back into the darkness of death again instead of coming out into the life or birth.

And whereas babies normally come out going from not being able to breathe to breathing,

when he puts them back in,

he makes sure that they go from breathing to not breathing. It's a reversal.

Of course, it's evident he can't actually put them back inside his wife, so he puts them

...