From KCRW Santa Monica and KCRW.com, it's The Treatment.

It's the treatment.

It's 50 years since let's get it on change the world of music,

and so it makes all the sense in the world that my guest, Universal Music Enterprises, VP,

and producer of many of the great reissues and compilations you've heard from you and me,

Harry Weinger, has put together a deluxe edition of Let's Get It On.

First of all, Harry, thanks so much for being here. Thanks for having me.

First of all, you think about the credits for the album, and two of the crusaders are already playing on it.

You've got Joe Sample and you've got Wilton Felder.

So there's already, for me, this connection to jazz funk.

And it's also in that period where Marvin has just finished doing

the Troubleman album where he has Sticks Hooper playing drums on that record.

And Earl Palmer's on some of the tracks.

Yeah. Because he work with two different bands. There's an orchestra and there's a rhythm section.

There's two different sessions. Because Trouble Man obviously connects to jazz as much as anything else, and hearing sticks,

Hooper, or on a couple of those tracks.

But then hearing, there's a song, an unreleased song on this called Song Number One.

First one of that session, let's call it number one.

I guess that works.

And you had told me, but it's still surprising to hear,

Lunders are talking about jazz funk,

that combination of Wilton Felder on bass.

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