4.6 • 806 Ratings
🗓️ 29 June 2018
⏱️ 23 minutes
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0:00.0 | Hello, and thanks for tuning in to another episode of The Directors Cut, a podcast by the |
0:06.4 | Directors Guild of America featuring today's top directors sharing behind-the-scenes stories |
0:11.1 | of their latest films and insights into the craft of directing. |
0:15.2 | Please take a second to subscribe to our show on iTunes or wherever you get your podcasts. |
0:20.6 | Check out the DGA website at DGA.org and hover over the craft tab to watch or listen to hours of content, |
0:29.4 | such as past episodes of the director's cut, videos of the Guild's 75th anniversary celebration, |
0:34.7 | and long-form interviews from our visual history program. |
0:40.3 | This episode takes us behind the scenes of director Amy Scott's new documentary, Hal. Set against the backdrop of a rapidly |
0:56.2 | changing America and an even more dramatic shift in filmmaking, the film celebrates the life and |
1:01.8 | work of director Hal Ashby, whose filmography includes the DGA Award nominated feature |
1:07.1 | coming home, as well as the Academy Award-winning classics Harold and Maud, |
1:11.5 | Shampoo, and Being There. Once the toast of New Hollywood in the 1970s, Ashby's obsessive genius |
1:18.8 | but uncompromising nature became an archetypal story of art versus industry. Hal was screened as part |
1:25.6 | of the DGA's documentary series, which aims to spotlight groundbreaking |
1:29.3 | nonfiction films for DGA members and guests by presenting screenings of documentaries, as well |
1:34.8 | as conversations with their directors. |
1:38.2 | The film is Ms. Scott's directorial debut, and premiered at the 2018 Sundance Film Festival, |
1:44.0 | where it was nominated for the documentary |
1:45.7 | grand jury prize. After the documentary series screening of Hal at the DGA Theater |
1:52.0 | in Los Angeles, Ms. Scott spoke with director Chuck Horkman about making the film. During their |
1:57.5 | discussion, Ms. Scott talks about why she thought the film needed to be made, |
2:02.0 | being a fellow editor turned director like the subject of her film, and what she learned from |
... |
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