4.6 • 639 Ratings
🗓️ 25 January 2022
⏱️ 29 minutes
🧾️ Download transcript
This week on The Treatment, Elvis welcomes back Academy Award winning director Guillermo del Toro, whose latest film is an adaption of the novel “Nightmare Alley” by William Lindsay Gresham. Del Toro’s 2017 film “The Shape of Water” won Oscars for both Best Director and Best Picture. Del Toro tells The Treatment about the recurring theme of monsters in human form in his films. He discusses how dreams and nightmares weave their way into the storytelling of “Nightmare Alley.” And he talks about how cell phones and the internet have made it difficult for him to set his films in the present day.
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0:00.0 | From KCRW Santa Monica and KCRW.com, it's The Treatment. |
0:14.5 | Welcome to the treatment, the home edition. I'm Elvis Mitchell. And my guest, who knows the show |
0:18.9 | by now so well, he doesn't even need me |
0:20.9 | for it, but who needs me for anything is Guillermo, I'm sorry, forgive me, Academy Award |
0:25.7 | winner, Guillermo Del Toro. Guillermo's new film as director and co-writer is the adaptation |
0:30.9 | of William Lindsay Gresham's classic novel, Nightmare Alley. G Guillermo, thanks for being here. And I think it's funny because I'm sure people are telling you, |
0:39.2 | this is departure for you. |
0:40.5 | But for me, I think of it basically is another monster movie. |
0:43.3 | It is. |
0:43.7 | It's a strange. |
0:44.5 | It's actually a confirmation of everything I've been doing so far, |
0:50.0 | which is repeating over and over again on every movie. |
0:54.6 | The real monster are the humans. |
0:56.9 | And this just confirms that visually and narratively, |
1:01.2 | the movie has so many straight connections with the rest of my filmography. |
1:06.5 | But what is great for me, what is pleasant for me, |
1:09.7 | is all of my life. |
1:11.0 | And you and I have discussed this and discussed the hard, hard-boiled literature. |
1:16.7 | I've been a noir literature and film fan. |
1:20.5 | And in fact, I, for a minute or two, my first movie was not chronos, maybe, but an adaptation of a Mexican noir called There Will Be No Happy Ending, |
1:31.2 | you know, which was a great novel. And I've been pursuing this possibility, and it became real |
1:38.0 | and possible after a shape of water song, jumped into it. Well, gosh, I mean, there's so much to |
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