Chant O'Joni, O'Rhe, or four se,

Chantominotti,

Midehi,

a vita,

chantu, While I'm sitting in the car for want of anywhere else to sit in bright sunshine in the car park outside the Grand Bologna Hotel, which if it sounds grand and it sounds like it's you'd built up a mental

a kind of bell epoch edifice with a piazza outside and tourists coming and going and elegant linen clothing and straw hats and canes.

But the reality is it's actually in an industrial estate.

It's covered in scaffolding and it's got a massive great big

big fasa bortolo concrete pouring device outside at 8 o'clock this morning. pouring stuff on the scaffolding outside this vast hotel. It's on the outskirts of where the race finishes today,

Chanto. And that's the reason, and there is no other reason other than that that you have just heard playing us into today's

podcast the music of Katerina Kaselli with her big hit Chanto Jorni. A.

A cento Jorni.

A cento Ani.

No, finiroi.

A hundred days, which is kind of roughly where we are in terms of the

gyrid it all hundred days hundred hours hundred minutes

genti minuti yeah it's a simple, it's a simple pun. It's a simple pun. But another opportunity to unearth

and discover a minor Italian starlet of the 1960s, Katerina Kaselli, who had a career that fluttered briefly after her success, also

at the San Raymond Music Festival.

She then went on to marry later on the chief executive of her record label and a man called Pietro Shuga

interestingly like Alan Shuga and together they went on to found their own record label

called Shuga music. She was coached out of retirement several decades later

...