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The Fried Egg Golf Podcast

Gil Hanse - Part 1

The Fried Egg Golf Podcast

Fried Egg Golf

Sports, Golf

4.81.4K Ratings

🗓️ 14 May 2018

⏱️ 56 minutes

🧾️ Download transcript

Summary

Golf course architect Gil Hanse joins the podcast for a two-part podcast. In part one he discusses his career to date, golden age architecture, the Olympic Course in Rio and much more.

Transcript

Click on a timestamp to play from that location

0:00.0

Welcome back to another edition of the Friday

0:03.8

podcast. Today I am joined by golf course architect Gil Hans. This is another

0:09.8

two-part podcast. Part two will be available on Tuesday night. Without further ado, here's Gilhance.

0:18.0

I'm Miss Agreen, for example. I'm already upset. When I find my ball in the bunker, I'm really upset.

0:24.2

And when I find my ball in a fried egg.

0:26.3

Fried egg. Fried egg.

0:29.3

Fried egg lie, I'm about ready to run off the golf course. I'm about ready to run off the golf course. Oh, I'm wondering your noted deadhead has music had a impact on your career?

1:05.0

Yeah, I think, I mean, when you're in a machine, you're basically focusing on what you're

1:11.6

building and I'm, I've always loved music of my

1:15.8

first dead show was at Madison Square Garden in 1979 I was 15 years old so it was one of those things, you know, when you kind of get turned

1:26.2

on to that scene and that vibe and that music and it just, I've always enjoyed it. I don't have a musical bone in my body. I couldn't play an instrument or carry a tune to save my life, but I just have always enjoyed music and I think that that sort of jam band, I mean I love Dave Matthews. I never got into into Fish I think you know it was being a deadhead it was just that was sort of I don't know you look at it as a younger version of what we were going through so but I think that that improvisation and just that kind of one guy

1:55.9

riffing off the next guy and another guy picks it up and they go and it's just the

2:00.3

music the creativity the, the sort of how it all comes together when it's not scripted.

2:08.0

I really enjoy that and I think that that's somewhat of a metaphor for how we work.

2:12.8

I mean, all of our guys, we just spend time editing

2:16.7

and refining each other's work and trying to make things better.

2:20.1

And so there's a contribution that, you know, I generally set sort of the bigger scale and the stage for

2:26.9

depth and scale of bunkers and greens and then Jim will come along Jim Wagner my partner and he'll start monkey in with an excavator or it's one of our

2:35.9

other one of the cavemen will get involved and then it we call it the theory of

2:40.3

ever decreasing implements where we start off big scale go to a mini X and then

2:44.2

eventually wind up with rakes and shovels and so I think that they're you know just

2:49.3

that feeling of of creativity that just sort of you know things that the flow out of the moment

...

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