Hi folks, how are you? Welcome along to soundtracking with me, Edith Bowman. It is lovely to have you

with us. Thank you very much indeed. Just before we dive into this week's episode, I wanted to say a

massive thank you because we had our first email stroke voice note come in all the way from Robert in Canada, who sent us a lovely

message about the podcast. And the reason he sent us a message about the podcast is because

last week I mentioned that we are fast approaching our 500th episode. And we wanted to do that

with the help of you are listeners. So we're looking for voice notes

or videos or emails from you to tell us about your favorite episode, your favorite guest,

your favorite soundtrack. So you can either do that by sending me something on our socials,

which is at Soundtrack in UK, or you can do it via email, which is info at edithbohman.com.

So we'd be very grateful if you could get that in as soon as possible. It doesn't have to be

very long. It could be very long if you want. However, I'll leave it up to your discretion.

I've had a busy old time of it over the last week since we last spoke. We had a couple of soundtrack in Everyman

film clubs, which we will be sharing with you over the coming days. Amelia Perez and we also

had Jesse Eisenberg join us after a screening of a real pain. Wonderful time was had. Had such

a great time with Jesse,

learned loads about him when it comes to music that I had no idea about.

So really looking forward to sharing that with you as well.

I also wanted to give a big shout out to the board and the members of the BSC,

the British Society of Cinematographers.

They invited me along last year to their annual award ceremony and I wasn't able to make it.

So then this year, they actually asked if I wanted to go along and host, which I did last

night. And it was wonderful. So I wanted to say a huge thank you for allowing me

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