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The Press Box

'Free Fire’ Director Ben Wheatley (Ep. 299)

The Press Box

The Ringer

Sports

4.43.2K Ratings

🗓️ 21 April 2017

⏱️ 30 minutes

🧾️ Download transcript

Summary

Editor-in-chief Sean Fennessey sits down with director Ben Wheatley to discuss his latest film, ‘Free Fire’ (0:10), getting sought out by star actors and directors like Armie Hammer and Martin Scorsese (6:40), and striking a balance between entertaining and traumatizing an audience (14:40). Learn more about your ad choices. Visit podcastchoices.com/adchoices

Transcript

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0:00.0

Hello and welcome to a channel 33 Podcast. My name is Sean Fennese, I'm the editor and

0:15.1

chief of the ringer. I'm joined today by the writer director Ben Wheatley, who's made

0:18.9

seven feature films including The Horrifying Killist, The Psychedelically Violent Field

0:23.1

in England, and The Dystopian Satire High Rise. Is that accurate, Ben?

0:26.9

Well, I think it's six, but seven if you count the theatrical release of The Breath,

0:31.7

The Doctor Who episode. I do count that. Good. His new movie is a 70s shot, shoot him

0:36.6

up. It takes place almost entirely in a warehouse. It's called Free Fire. It stars Brelarsen,

0:40.8

Army Hammer, and Killian Murphy. Ben, thanks for coming and chatting with me.

0:44.2

Oh, thanks for having me. So Ben, you make movies with common themes, but they are often

0:51.5

operating in different genres. So, you know, you've made a, let's say, a science fiction

0:58.2

dystopia. You've made a crime thriller. You've made movies that seem like one thing, but

1:03.8

often go in the other direction. Are you always thinking about genre when you're writing

1:07.3

your movies? I think I'm thinking about what kind of films I want to see, and I like genre

1:12.5

films, so I kind of go to that. It's my happy place.

1:16.3

Did you feel like you just hadn't seen a great action movie in a long time? Is that

1:19.6

why you wanted to this? Yeah, I wanted to make one. I like action movies a lot, and I

1:23.9

felt that the world of the contained relatable action, you know, where you understand what

1:32.6

physically you could do these things. And if you're in this situation, you might do it

1:36.1

that way, kind of action, which I don't think we've seen that much of. It's kind of now

1:40.7

action is more, the spectacle side of it is so huge in the kind of scale of these things

1:46.8

are so huge that you just feel you watch it and go, what I found specifically, I was

1:50.8

watching movies and I was going, this is amazing. If I'd have seen this when I was 10, if

...

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