4.8 • 1.4K Ratings
🗓️ 9 September 2020
⏱️ 58 minutes
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EPISODE 44 - FRANZ KRAUS Part 2 - Arriflex
This is part 2 with Franz Kraus. We continue our conversation with Franz about all things digital. We talk lens, camera, the Trinity rig, viewfinders, the M camera (precursor of the Mini) and what might be coming in the future. A great chance to get all of those digital questions out into the open! It was an amazing experience to pick the brain of a person behind the development of digital technology.
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0:00.0 | Hi and welcome to the Team Deacons podcast. This podcast is a dialogue between |
0:10.0 | Roger and James Deacons often joined in the conversation by a guest. It's very |
0:15.7 | informal and we never know where it will go. We're connecting through Zoom so bear |
0:21.0 | that in mind when you hear the audio. If you'd like to submit a |
0:25.3 | question or topic please do so by emailing pod POD at Roger deacons.com. |
0:33.0 | This episode is sponsored by Ari, a company trusted by the world's top filmmakers |
0:39.0 | and known for its innovative advances. |
0:42.0 | 2020 marks the 10th year of the Alexa, an industry standard for digital cameras. |
0:50.0 | This episode of the Team Deacon's podcast supported by Company 3, |
0:54.8 | the world's leading post-production group dedicated to collaborating with both |
0:59.1 | emerging and established filmmakers. |
1:11.6 | This episode is part two in our discussion with Franz Kraus, technical innovator of Arreflex. We go even further into the development of different cameras and technologies. |
1:15.0 | So let's get back to our conversation with Franz. |
1:20.0 | What's interesting to me is in talking to our rental people the number of |
1:27.4 | productions shooting with the 65 because I can see it for certain situations but for me it just seems like a big |
1:36.0 | big workflow a big camera and all of that and yet so many productions that I wouldn't think would go for the |
1:44.3 | 65 have and so there's a lot shooting 65 right? |
1:48.8 | Yeah when we pulled the whole 65 project off and I so need to say and thank the owners. |
1:57.0 | So at that time it was Stahl family and Bobby Arnold who green lighted that project because it was obvious it's not going to be a money-making project because as you mentioned the workflow is expensive, everything. |
2:15.0 | Time consuming, the crew needs to be very experienced. |
2:19.2 | So it is not something, you would distribute hundreds of those cameras or even thousands. |
2:25.0 | So it's limited. |
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