4.4 • 3K Ratings
🗓️ 21 September 2025
⏱️ 48 minutes
🔗️ Recording | iTunes | RSS
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| 0:00.0 | Before we get started, we want to pause and give an important note that this episode is as heavy as the title suggests. |
| 0:13.8 | We'll be discussing phylliside, the heartbreaking loss of children whose lives should never have been cut short, as well as mentions of suicide. |
| 0:22.7 | These are difficult but necessary conversations, and with them comes the push for awareness and change. |
| 0:30.6 | Please know that listener discretion is strongly advised. |
| 0:34.8 | I'm Ashley. |
| 0:35.7 | And I'm Ricky. |
| 0:36.6 | And this is Crime Salad. |
| 0:42.3 | So at CrimeCon, Ricky and I had just finished getting ready for the day. We put on our |
| 0:50.2 | crime salad shirts. We got our overpriced coffees, prepared to meet hundreds of people, |
| 0:55.3 | share stories, and invite new listeners to listen to our show. But then something happened that |
| 1:00.9 | stopped me in my tracks. A woman approached our table holding a flyer, and on it were the faces of |
| 1:06.9 | children. With her was a wonderful person named Rachel from Momcast Productions, who introduced her |
| 1:13.7 | and gently explained her story. The woman by her side was Hope Houdin. Her two children had been the |
| 1:20.0 | victims of philicide, the unimaginable act where a parent or sometimes even a step-parent takes the |
| 1:27.0 | lives of a child. And in this case, |
| 1:30.1 | their father murdered her two children and then himself. As Hope stood there, I felt it instantly, |
| 1:37.2 | the weight of her grief. It was deep and raw, the worst pain a mother could ever feel. But right |
| 1:43.5 | alongside it, I felt something else, |
| 1:46.1 | strength. A strength I can only describe as the kind that comes from living through the unimaginable. |
| 1:52.5 | It resonated off her like a beam of light. Hope was standing in her truth. She got ready on the same |
| 1:59.7 | day, just like me wearing a shirt that says voices of |
| 2:03.0 | philicide here to tell her children's story, even if it meant reliving her pain of the words |
... |
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