Hey everyone, welcome to the flop house. I'm Dan McCoy. I'm Stuart Wellington. I'm Elliott

Kaelan starting up the episode and ready for some flop house funnies. Dan, what do we

do on this podcast? Well, the normal episodes are ones where we watch a bad movie and then

we talk about it. But also those those those take up two weeks and a month or the other

two weeks are taken up by what we call the flop house mini, which are theoretically shorter

sometimes they aren't and they're a lot more free form. And not to be confused with

the TV channel free form, which is unrelated. No, is it a sponsor? No, this thing they can

go to hell. This episode is one that I'm driving. It is a concept that I hope you'll go

along with. I don't know if you'll enjoy. We'll see. But I'll introduce it vassally. Okay,

by the time. Yeah, I think Stuart and I are both buying into you introducing a concept.

Okay. Sure. Thanks. I've set up the premise that I will introduce a premise. You'll accept

that and go with me. Okay. By the time you hear this episode, Stuart and I will have presented

no way out at the Nighthawk theater. We are so I'm advertising a thing that has passed

already. We have we have introduced a film at the Nighthawk, which is a thing that we

do from time to time when our friend Christina asks us to do it. Christina Kacheopo, programmer

at the Nighthawk best in the band. And no way out is part of the program. Wait, hold on

a sec. I want to take a minute to talk about Christina before we go. I feel like theater

programmers don't often get the glory that they deserve. And she really is the best in

the biz. We've known her for a long time. She was the programmer at 92 I try Becca, a

now defunct space that I used to present a screening series at because she allowed me

to. Yeah. She was she worked at Alamo. Like she's just a fantastic programmer. And who decides

which movies are going to make it to the theaters other than the big ones that hit you

...