4.6 • 11K Ratings
🗓️ 30 September 2022
⏱️ 97 minutes
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| 0:00.0 | I'm as reclined, this is the Ezra Conchell. |
| 0:22.8 | So forgive me, I'm going to take a moment to set this conversation up. |
| 0:26.4 | It is a conversation about crypto, but it is not really about the part of crypto people |
| 0:30.5 | are most familiar with. |
| 0:32.2 | So I want to give some context. |
| 0:34.6 | So there's crypto as this frothing speculative, hyperfinancialized market. |
| 0:39.6 | Crypto as an investment where the promise or the hope is it over time, the line just keeps |
| 0:45.1 | going up. |
| 0:46.4 | And anyone with the wealth and the courage and the foresight to hang on will become a millionaire |
| 0:51.6 | many times over. |
| 0:53.5 | I find that crypto pretty easy to have an opinion on. |
| 0:56.0 | You can go see my conversation a few months ago with Dan Olson for more on that. |
| 1:01.2 | But there's this other side too, this more idealistic side. |
| 1:04.8 | The side of crypto that is not just interested in, but truly obsessed with blockchains and |
| 1:11.1 | protocols as a way of bringing governance and community into the digital era, as a way |
| 1:16.3 | of unlocking new forms of cooperation. |
| 1:19.8 | There was an idea from the philosopher, C.T. Nuen, who's a bit of guest on the show actually. |
| 1:24.4 | He makes a distinction between object arts, where the value of the art lies in the object |
| 1:29.8 | itself, how beautiful it is, how intricate it is, what we think of it, and process arts, |
| 1:35.7 | where the value of the art lies in the audience's appreciation of what the art makes them do, |
| 1:40.9 | of the process it gets them to engage in or allows them to engage in. |
| 1:45.1 | C.T. N. is talking there about games. |
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