meta_pixel
Tapesearch Logo
Log in
The Chase Jarvis LIVE Show

Escape the Portfolio

The Chase Jarvis LIVE Show

Chase Jarvis

Celebrity, Art, Career, Creativity, Money, Entrepreneurship, Self-improvement, Education, Careers, Writing, Interview, Investment, Influencer, Business, Photography

4.8641 Ratings

🗓️ 22 March 2021

⏱️ 11 minutes

🧾️ Download transcript

Summary

As a professional creative–or even an aspiring amateur–it’s standard protocol to have a portfolio. Whether it’s posted online or neatly bound in a black leather book bearing your name, or both, the portfolio is meant to be a cohesive sample of your work.

But why is the thing so damned precious?

Don’t get me wrong, I’m all in favor of having a portfolio. I understand it’s a core convention of creative professions and that it does the heavy lifting when it comes time to “get work”… But in recent times I’ve become increasingly disenchanted with the concept of “the” portfolio in our digital world and I’ve noticed–in myself and others–that the metaphysical weight alone of the word portfolio can crush the creative spirit rather than enhance it.

Enjoy!

Have a question?

Text me 1-206-309-5177
Tweet me @chasejarvis

---

Today's episode is brought to you by CreativeLive. CreativeLive is the world's largest hub for online creative education in photo/video, art/design, music/audio, craft/maker and the ability to make a living in any of those disciplines. They are high quality, highly curated classes taught by the world’s top experts -- Pulitzer, Oscar, Grammy Award winners, New York Times best selling authors and the best entrepreneurs of our times.

Transcript

Click on a timestamp to play from that location

0:00.0

Hey, so whether you are a professional creator, you identify as someone who makes, who's primarily

0:13.0

that is their first source of income, or you don't yet, but might want to earn some money on the side, whether you're a professional or an aspiring amateur.

0:25.2

It's super standard to have a portfolio.

0:29.2

I don't care what line of work you're in if you write code or if you're a or if you're just a writer of words or you make products, consumer package goods that you sell

0:41.9

online or you have a store.

0:43.4

Like you have a portfolio, right?

0:46.5

It doesn't matter if it's posted online or we're tidily bound in a nice black leather book

0:51.6

that has your name stamped on it or both.

0:54.6

But the concept of a portfolio is very real, right?

0:58.8

You're aware of this concept.

1:01.4

And it's meant to be a cohesive sample of your work.

1:09.7

But here's my question. Why is this thing so damn precious? We treat it like it has to be

1:21.1

the first, the most, the best, the biggest, only X, never why. We've got so much baggage around the portfolio. Now, don't get me

1:30.8

wrong. I am all in favor of having this portfolio. I understand it's a core convention for

1:37.1

creator or creative professions, and it does the heavy lifting when it comes to getting hired

1:43.6

or getting work.

1:46.0

But recently, I have come to become disenchanted with the preciousness or even the concept of the portfolio in a digital world relative to a portfolio. And I've noticed in myself and

2:05.5

others, you, others out there, that the metaphysical weight alone of the concept, the word

2:12.6

portfolio can often crush the creative spirit rather than enhance it.

2:18.3

Now, to be fair, editing your work is difficult, and that's part of the pressure that you may feel.

2:25.3

But what if you gave yourself just a little bit of breathing room?

2:29.3

Now, you have to juxtapose this again.

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from Chase Jarvis, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of Chase Jarvis and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2025.