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Sodajerker On Songwriting

Episode 93 - Neil Hannon

Sodajerker On Songwriting

Sodajerker

Sodajerker, Barber, Simon, Music Interviews, Liverpool, Songwriters, Musicians, Oconnor, Songwriting, Interviews, Music, Podcast, Brian

4.9885 Ratings

🗓️ 8 September 2016

⏱️ 56 minutes

🧾️ Download transcript

Summary

Neil Hannon of The Divine Comedy sits down in London with Simon and Brian to talk about the writing of his fantastic new album Foreverland and older classics from his catalogue like 'At The Indie Disco', 'Our Mutual Friend', 'A Lady of a Certain Age' and 'National Express'. Neil also reflects on his love for vintage synthesisers and his work on projects such as The Duckworth Lewis Method and TV's Father Ted.

Transcript

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0:00.0

The Hello and this is Brian.

0:22.7

And joining us today is the singer, chief songwriter, founding member and sole mainstay

0:27.6

of one of the finest pop bands ever to come out of Northern Ireland, The Divine Comedy.

0:32.3

As we record this episode, he's set to release Foreverland,

0:35.0

his 11th studio album, and first in six years,

0:38.0

and a more than worthy addition to the Divine Comedy Canon.

0:41.0

We are thrilled to welcome the magnificent Neil Hanen to the show.

0:44.8

Yeah, very excited about this one as I'm sure are you dear listeners.

0:48.5

Neil is a much requested guest and for good reason as he's quite simply one of our finest songwriters

0:53.7

melodic with he sophisticated and the man can break your heart with a chord change

0:58.3

and he has that great ability to turn life small incidents into moments of great emotional significance which for me is the

1:05.2

hallmark of any great songwriter.

1:07.2

Preach. But yeah although the humor in his lyrics is undeniable there's a great poignancy

1:11.6

in much of that work as well, isn't there?

1:13.7

Like a song like Our Mutual Friend for example, you know, it could be taken as funny, but

1:18.2

the experience that's described in it is earth-shattering to the protagonist of the song isn't it?

1:22.8

Absolutely.

1:23.8

I think that gives it a real weight you know especially when it's a company by those

1:26.5

traumatic strings. Very true. Anyway we headed down south last week and we're

1:31.0

lucky enough to spend a delightful hour in the company of

1:33.2

Mr. Hanen in a well-appointed London hotel where we discuss the new album and of

1:37.6

course his approach to songwriting. You'll hear that chat shortly but first

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