| 0:00.0 | I am Ixian, strapped to the burning wheel of fire in the underworld that is my life. |
| 0:15.7 | A bleak assessment to be sure, but I put it to you that it is the truth. |
| 0:19.0 | For what is life, if not an ever-swinging |
| 0:21.0 | pendulum of pain and boredom, kept in motion by the insatiable will? I am constantly striving |
| 0:27.1 | for things that I want, but what I want is never enough. Long-term satisfaction is tedium, |
| 0:32.7 | elegantly veiled. This alone is a cruel trick to the individual, but in a world of many, it is the ultimate tragedy. |
| 0:39.3 | The wills of the multitude cannot avoid the inevitable conflict. |
| 0:42.3 | As one wills ends, treats another as its means. |
| 0:46.3 | The tiger feasts on the wild dog, who feats on the baby turtle, all to propagate life |
| 0:50.3 | so the future generations can play out this tragic scene ad infinitum. In human life, |
| 0:55.4 | save rare moments of true compassion, we are little better. Yet, there is a hint for salvation. |
| 1:02.3 | What if we all realize that at our core, we are the same will? What if we could make the |
| 1:06.4 | wheel of Ixian stand still, if only for a moment? Would it be possible to see beauty? Would it be possible |
| 1:12.2 | to see a fellow sufferer rather than a fellow ego? I suspect it might, but I'm afraid that I and |
| 1:18.3 | many others are easily fooled. The will will do as it pleases, and not what pleases us. |
| 1:44.0 | Hello and welcome to episode 90 of the Pansai cast. I'm an individual subject arising through disassociation from the will. |
| 1:46.2 | And my name is Mr. Jack Symes. And I'm joined once again by the man who refused to go to heaven when he learned there be no seals there. |
| 1:52.7 | It's Mr. Oli-Mali. Hello. And the negation of the will itself, Mr. Andrew Horton. |
| 1:59.1 | Hello. |
| 2:00.0 | An absolute pleasure to be with you both for another old school series. |
| 2:03.3 | We've got a new feature for this installment, haven't we? |
| 2:05.8 | As promised, Oli, Molly, here we go again. |
| ... |