4.6 • 842 Ratings
🗓️ 7 May 2019
⏱️ 38 minutes
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0:00.0 | Before we start, please be aware that today's show contains frank discussions of childhood sexual abuse, and as such, listener discretion is advised. |
0:29.0 | Hello and welcome to episode 8 of Bad Gays, a podcast where we uncover the dark side of gay men in history. |
0:31.1 | I'm Hugh Lemmy, a writer and novelist. |
0:35.0 | And I'm Ben Miller, a writer, gay historian and member of the board of the Gay Museum in Berlin. |
0:38.3 | And each episode, we profile a different gay villain from history, looking at their life in context and how their sexuality informed their infamy. |
0:42.3 | We want to complicate gay history by talking about evil people and complicated people instead of just heroes. |
0:47.3 | We're focusing on cis men because cis men are definitionally the most bad, |
0:52.3 | and we're asking why we don't remember our villains as well as |
0:54.9 | our heroes. So last week we talked about a Weimar-era gay magazine publisher who provided space |
0:59.8 | for lesbians and trans people to express themselves, but also ended up writing favorably about |
1:04.9 | fascists. Who are we talking about this week, Hugh? One thing that's been noticeable in this series so |
1:09.7 | far, especially of our British subjects, |
1:11.7 | such as T. Lawrence and Anthony Blunt, is that the vectors and valences of sexuality of our subjects |
1:17.4 | really clearly flavoured by a whole body of assumptions about class and behaviour. |
1:22.2 | Today's subject is fascinating for me for the way his life crossed class society at a time |
1:26.9 | where a lot of those assumptions were being broken down, |
1:29.3 | and when Britain was changing from a very rigid class-based society, to a society which was really rethinking its attitudes, |
1:35.3 | both towards homosexuality and towards class. |
1:38.3 | In fact, he really encapsulates many of the most important aspects of the 1950s and 60s, and as a result, he's |
1:45.6 | become a sort of icon of that area in England, although in a way that really diminishes the severity |
1:50.8 | of his crimes. And that's telling in itself as he's become the icon of that era which the British |
1:56.6 | have deeply romanticised as a golden age to avoid really examining what lies behind the myths of |
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