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Bad Gays

Episode 8: Ronnie Kray

Bad Gays

Huw Lemmey & Ben Miller

History

4.6842 Ratings

🗓️ 7 May 2019

⏱️ 38 minutes

🧾️ Download transcript

Summary

He was a a thug, a bully, and a murderer who made himself a British popular hero. He was a friend of Judy Garland and Frank Sinatra, and he once said, “I’m homosexual but I’m not a poof”. We use the deplorable story of Ronnie Kray to explore class, crime and postwar British attitudes towards homosexuality. A content note: this episode contains frank discussions of childhood sexual abuse; as such, listener discretion is advised.  ----more---- SOURCES: Campbell, Duncan. "The Selling of the Krays: How Two Mediocre Criminals Created Their Own Legend." The Guardian, 2015. https://www.theguardian.com/uk-news/2015/sep/03/the-selling-of-the-krays-how-two-mediocre-criminals-created-their-own-legendlegends Kray, Ronnie. My Story. London: Sidgwick and Jackson, 1993. Pearson, John. Notorious: The Immortal Legend of the Kray Twins. London: Arrow Books, 2011. Pearson, John. The Profession of Violence. New York: Harper Collins, 1995.   Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License.

Transcript

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0:00.0

Before we start, please be aware that today's show contains frank discussions of childhood sexual abuse, and as such, listener discretion is advised.

0:29.0

Hello and welcome to episode 8 of Bad Gays, a podcast where we uncover the dark side of gay men in history.

0:31.1

I'm Hugh Lemmy, a writer and novelist.

0:35.0

And I'm Ben Miller, a writer, gay historian and member of the board of the Gay Museum in Berlin.

0:38.3

And each episode, we profile a different gay villain from history, looking at their life in context and how their sexuality informed their infamy.

0:42.3

We want to complicate gay history by talking about evil people and complicated people instead of just heroes.

0:47.3

We're focusing on cis men because cis men are definitionally the most bad,

0:52.3

and we're asking why we don't remember our villains as well as

0:54.9

our heroes. So last week we talked about a Weimar-era gay magazine publisher who provided space

0:59.8

for lesbians and trans people to express themselves, but also ended up writing favorably about

1:04.9

fascists. Who are we talking about this week, Hugh? One thing that's been noticeable in this series so

1:09.7

far, especially of our British subjects,

1:11.7

such as T. Lawrence and Anthony Blunt, is that the vectors and valences of sexuality of our subjects

1:17.4

really clearly flavoured by a whole body of assumptions about class and behaviour.

1:22.2

Today's subject is fascinating for me for the way his life crossed class society at a time

1:26.9

where a lot of those assumptions were being broken down,

1:29.3

and when Britain was changing from a very rigid class-based society, to a society which was really rethinking its attitudes,

1:35.3

both towards homosexuality and towards class.

1:38.3

In fact, he really encapsulates many of the most important aspects of the 1950s and 60s, and as a result, he's

1:45.6

become a sort of icon of that area in England, although in a way that really diminishes the severity

1:50.8

of his crimes. And that's telling in itself as he's become the icon of that era which the British

1:56.6

have deeply romanticised as a golden age to avoid really examining what lies behind the myths of

...

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