Episode 76 - French Psycho: Albert Camus’ The Stranger Part 1
Oral Presentations
Chris Wood
5.0 • 868 Ratings
🗓️ 17 May 2021
⏱️ 30 minutes
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| 0:00.0 | And Ladies and welcome to oral presentations podcast. This is episode 76 and it's called French Psycho Albert Camus the Stranger. |
| 0:29.0 | How you doing? I hope your Monday's going okay. The plot of this book threw me off and I had to look up |
| 0:36.0 | What is what was going on here? So let me okay first off the stranger is a novel from 1942 published in 43 by French author Albert Camu |
| 0:46.4 | and the book is cited as an example of Camu's philosophy which is absurdism |
| 0:50.6 | and some people say existentialism but they asked him about is it existentialism in |
| 0:56.0 | 1955 and he was like no no no the book's just about absurdism all right so why is the episode called French Psycho? |
| 1:05.6 | All right, it's after the book, |
| 1:07.9 | that's also a movie American Psycho, |
| 1:10.4 | because when I first got this story down I got all the way through it |
| 1:14.8 | I really didn't understand what was going on and I at this point in time I might just |
| 1:20.8 | have to accept that I don't like books. Like I like doing 1984 and Dante's |
| 1:26.8 | Inferno was cool but I had to look up what this meant man because it just seemed like like Patrick Bateman dialogue |
| 1:35.6 | guy just misreading social cues the whole time also we're doing this one in two parts it is a short book but the book is also broken up into two separate parts. |
| 1:46.0 | The first one is a number of events where we're going to follow our main character named Marso, who's also the stranger, |
| 1:52.0 | and as he goes through a series of events in his life. |
| 1:56.0 | And then the second part is like a courtroom drama that replays the events of the first part |
| 2:02.0 | through the lens of the French justice system. |
| 2:04.8 | But this is part one, so we're going to follow Marceau, the stranger, as he narrates the |
| 2:10.0 | events of his life as they occur. And here's a thing, he doesn't really interpret them as a cohesive narrative, |
| 2:15.8 | because according to Camus philosophy, the universe is indifferent to human struggle, |
| 2:21.4 | and Mershe's indifferent personality embodies that philosophy. |
| 2:26.0 | So the main character Marsoe is just a stand in for Camus philosophy of how the universe is versus human struggle. |
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