Hello, how are you? Welcome along to another episode of soundtracking with me, Edith Bowman.

Thank you very much indeed for tuning in. I mean, it's not a radio show, but it is kind of like a radio show.

You don't tune in, you choose to listen. Maybe you've subscribed if you have. Thank you. We really

appreciate it. If you haven't, give it a go, hit that button. We've got so many great episodes

coming up to continue our wonderful

run of fantastic conversations talking about film and music. Now actually yesterday I just recorded

something a bit different which I'm really looking forward to sharing with you. Matthew Vaughan's

new film is called Argyle. Lorne Balst the score, but he's also worked with Gary Barlow.

He's worked with Giles Martin.

He's worked with Stuart Price.

How do I know that name?

Stuart used to be in a band called La Rhythm Digital, like back in the day, and is going

on to be a bit of a superstar producer producer working with everybody from Take That to Madonna.

And he is involved in the music in Argyal, as are all of them.

So I sat down with all of them, all five of them,

and a really good chinwag about all the different types of music that are in the film.

So we filmed that and we recorded it yesterday

and we'll share that with you in a week on Monday, I believe.

So just trying out a few different things

with regards to filming things and formats

and all that kind of stuff.

But it was a really interesting conversation

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