Hello, welcome along to another episode of soundtracking with me, Edith Bowman, my weekly podcast

where I dive into hopefully have a really interesting and thoroughly wonderful conversation

about film and music. This week, I've been going on about this film for quite some time

and there's a good reason why. I think it's absolutely phenomenal.

It had a really profound effect on me as well.

And I just am thrilled that I'm able to talk about it in great detail on this podcast.

Because our latest guests on soundtracking are writer, director, Andrew Hay, and composer Emilyvinese Faroosh, who join me to discuss

their work on Andrew's film All of Us Strangers. Now, I don't want to go into too much

detail about the kind of narrative of the film, but it stars the wonderful Andrew Scott,

Paul Meskell, Jamie Bell and Claire Foy

and it tells the story of a lonely gay man who mysteriously meets his parents on visiting his

childhood home despite the fact that they died in a car crash when he was a young boy. Emily

score is absolutely gorgeous and so we will begin with her cue drifting over the edge. The

The The

The The

The Andrew, Emily, thank you so, so much for coming to talk about all of us strangers.

I was just saying to Andrew, Emily, the idea that this film, with every viewing that I have with it,

I have a deeper connection with an element to the story or a character, and it's just a beautiful gift.

Because it's not that often that you can kind of leave a cinema and a mirrors

placed at you in a way in terms of asking you to have conversations about your own situation,

history, future, all that kind of thing. So thank you so much for that. Thank you. That's

lovely to hear. Music is a huge part of this film.

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