Well, hi again. It's been only a few days since we last spoke here on my I was going to say weekly podcast soundtracking, but at the minute we're giving you an episode pretty much every third day. Thus is the way that there are so many great things to talk about at the minute. I hope you're enjoying the episodes. It'd be really nice if you did feel like giving us, I don't know, your thoughts, your feedback, guest

suggestions, all that kind of stuff. Please do get in touch with us. Info at edithbowman.com

is our, it's our email address if you want to get in touch about anything. So we'd love to hear

from you with regards to, I don't know whether you've watched some of the films that we've talked

about over the last couple of weeks. Maybe you went to the cinema to watch Jodie's film, The End We Start From.

Maybe you've seen The Boys in the Boat, Priscilla, the holdovers.

Or maybe over the weekend you watched The Kitchen with today's guest.

The last time we had today's guests on the podcast,

he was up for an E.E. BaTA Rising Star Award, which he duly won.

Of course he did, how far Daniel Kaluya has come since then, although to be fair, he was pretty much a superstar by that point already.

Joining me today, though, to discuss his debut as a writer-director on The Kitchen. Music for the film is provided

by Labyrinth and Alex Baranovsky, to whom we owe huge gratitude for providing us with

as yet unreleased cues of a Sunday morning, Alex, you absolute legend, when, you know, other

people would normally be reading the papers and eating croissants,

we can't thank you enough, Alex.

And we'll begin with one of their cues, can I stay? The

The What's going on?

How you doing, mate?

I'm all right.

I'm good, how are you?

I'm really good.

I'm like, I'm so glad that I get to talk to you about your film that you've written and directed.

...