Yes, hello, this is John Jeremy, and you all remember me from my theatre work with Margaret Gray,

and certainly the famous songs that I made famous by, you know, being with Margaret in the theatre,

songs like, I wonder what the king is doing tonight. You know, those kinds of songs. Margaret's looking at me like I'm, you're looking

to me, Margaret, as if someone put a bonnet, put on a tie, and put a pair of pants on a cow turd.

What are you crying? No, I'm not crying. I'm disappointed. That's all.

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Margaret, this is John Jerryman.

Margaret.

John, just hold on.

Margaret and I were, but you were in Camelot.

I, yes, I understudied Claire Bouvet,

Reese Wilbon. That's a man. I know it was a man, but he was playing Guinevere. So,

my God, that's a man. Yes, it was a man, but he was. He was playing Guedivir. It was a short

week, and a lot of things happened. We'd had that party. Well, I know some people are not able to. I guess... It was at your house. You were the one that fed them the drink. John Jerryman had a party at his house, the week that we debuted Camelot in Philadelphia, and let's just say that he had put something in the drink.

What did you put in the drink?

Well, it was a lucidgenic, isn't it?

John, snap out of it.

Yes, yes, it was, yes, it was a lucidogenic.

It was a precursor to Molly.

What are you talking about? I'm telling you that it was a kind of a stimulant that induced hallucination.

I think it was along the lines of STP.

...