Episode 34 - Don Black
Sodajerker On Songwriting
Sodajerker
4.8 • 912 Ratings
🗓️ 30 January 2013
⏱️ 45 minutes
🧾️ Download transcript
Summary
Oscar-winning lyricist Don Black talks with Sodajerker about his many collaborations on songs for films, musicals and pop artists alike. Don's credits include 'Born Free' (Matt Monro), 'Thunderball' (Tom Jones), 'To Sir, With Love' (Lulu), 'Diamonds Are Forever' (Shirley Bassey), 'The Man With the Golden Gun' (Lulu), 'Ben' (Michael Jackson) and 'The World is Not Enough' (Garbage). He also talks in detail about his long and hugely successful relationships with composers John Barry and Andrew Lloyd Webber.
Transcript
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| 0:00.0 | The Hello again everyone it's Brian and Simon here to once again provide a window on the world of another |
| 0:23.2 | songwriting heavyweight and our guest for this episode is most certainly befitting |
| 0:27.4 | of such a title he's an exemplary lyricist of some 50 years standing an Oscar winner |
| 0:32.2 | a Tony winner and a songwriting Hall of Fame |
| 0:34.9 | member, it's the archetypal East End Boyme Good, Don Black OBE. |
| 0:39.2 | Yeah, we're very honored that Don agreed to do the show. He's a hugely significant and |
| 0:44.0 | respected figure in popular music and much like our recent guest Carol Bea |
| 0:48.0 | Sega has built his reputation on his wonderful way with words. From humble |
| 0:52.4 | beginnings, Don went on to become the |
| 0:54.2 | toast of the pop, film and musical theatre worlds for his lyrics and he's worked with |
| 0:58.4 | a host of venerable composers in the fields of film and theatre, John Barry, Quincy Jones, Henry Mancini, Elma Bernstein, and |
| 1:06.1 | Andrew Lloyd Weber among them. |
| 1:08.0 | Born in 1938 in Hackney, East London, Don's first exposure to the music business came when he began working as an |
| 1:14.2 | office boy at the then burgeoning New Musical Express, or the enemy, as it later became known. |
| 1:19.7 | While still in his late teens, he went on to become a record plugger on Denmark Street off |
| 1:23.7 | Tottenham Court Road Central London which was then the English equivalent of Tim Pan Alley |
| 1:28.3 | with a bustling row of music publishing houses and the many songwriters who frequented them. |
| 1:33.0 | At the suggestion of his friend, the singing bus driver himself, |
| 1:36.4 | Matt Monroe, he tried his hand at lyric writing and found he had the knack. |
| 1:40.3 | He actually managed Matt Monroe as well well for a stretch didn't he? |
| 1:43.2 | He did and he scored his first hit with the song Walk Away sung by Monroe |
| 1:47.4 | and was thus galvanized into becoming a full-time Wordsmith. |
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