Episode 32: The Good Part
You Look Nice Today
You Look Nice Today
4.7 • 897 Ratings
🗓️ 30 July 2009
⏱️ 31 minutes
🧾️ Download transcript
Summary
You’re gonna love it—the guitar does this “Wheeee!” thing while the drums go all “Chukka chukka booda booda.” OK, here it comes. Shhhh!
No wait, that’s not it. Almost there, just after this last chorus. Seriously, I think you’re going to love the song once you’ve heard this part. What’s that, little guy? No, Daddy’s playing his new favorite song for Mommy, so if you could go over there and wait for us. Quietly. Thanks!
Huh? Sure, I don’t care what we have for dinner. But wait, you’re gonna miss the—
…
JESUS. You just made me talk over the good part. GODDAMMIT.
No, it’s OK, whatever. I’m not going to rewind. Really, it’s NO BIG DEAL. It’s not a big, no…it’s really not a problem. It’s cool. I’ll play it for you later.
Pizza sounds fine.
Also covered: the business of High School scared-straight-for-Jesus groups, and our entry into that lucrative space: “The Drain Circlers.” We’re available for all auditorium-based school events. Fees are very, very negotiable.
Transcript
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| 0:00.0 | I've been wanting to create a business called song parts dot biz where you could buy instead of having to buy a whole song for 99 cents or 89 cents you could just buy 7 seconds of a song, |
| 0:12.7 | you could buy the part in Peter Gabriel's sledgehammer |
| 0:17.0 | where he goes, huh? You look nice today a nice today a journal of emotional hygiene the bridge from landslide it's like it's like the |
| 0:35.1 | bridge from landslide is one of my favorite things ever the middle eight you know totally |
| 0:38.8 | I've been making some changes that's great I would buy that what would would you pay for that? I pay 35 cents for that. |
| 0:45.0 | Sure, sure. And you just price, you know, at songparts.biz, you just price it according basically to the percentage of the song that, you know, of course you're paying more for a chorus you'll pay more for a guitar |
| 0:56.4 | solo if it's by someone of renown but basically it's just by the percentage of the song that you that sung. I sort of, my impetus for this was that I really love C.C. DeVille's guitar solos, |
| 1:09.0 | but I have no interest in buying an actual poison song like that makes me want to kill myself but I thought C. C. de Ville |
| 1:16.4 | Whatever his I'm assuming his given name isn't C. C. de Ville, but whatever whatever his name is he's like Imable I think it's a terrific idea |
| 1:27.3 | because right now also let's be honest I mean how many things are there |
| 1:30.4 | where there's like this hipster thing where you go like in my case I go like oh Kelly |
| 1:33.1 | Clarkson she's pretty good but I really really like since you've been gone. |
| 1:36.0 | Madonna I really really like you know the self-titled record from her I think this is a common thing |
| 1:41.6 | and I don't know though Scott because they |
| 1:43.4 | take something like Carlos Santana and he solos usually I think for about 180 bars of a |
| 1:48.0 | song so that's going to be almost the same cost as the rest of the song. |
| 1:51.0 | Great point, great point. You know they probably had they had to pay the engineers over time so I don't know if that scales well you know it's a great point maybe you start selling solo fragments or solo frags |
| 2:00.3 | oh so frags I love that idea like so like what you could cut eruption into like probably like 12 different pieces. |
| 2:06.5 | So you could actually pay to have a solo shortened and inserted back into the full song because this is an awesome opportunity as well. |
| 2:13.5 | Wait, that's brilliant. |
| 2:15.5 | You're saying you tighten up the solo a little bit. |
| 2:17.3 | Yeah, tighten it, tighten up the solo, put it back in the full song. |
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