Good morning, good afternoon, good evening, good day, wherever you are listening to,

and whatever time of day it is that you're listening to this latest episode of my podcast

soundtracking. Thank you so much for listening. And thank you very much to everybody who's

been in touch as well. We've been starting to share our email address, which is info at edithbohman.com

and some lovely messages coming in.

So I thought I'd start with one today actually, a lovely email from Ian Miller who says,

Hi Edith. I hope you're well. Long-term fan of yours and supporter of soundtracking. Thanks Ian.

I'm partway through the Elvis episode and heard you mention the email address, so I thought I'd say hello.

Yet to see Baz's latest, but enjoy listening to chat about the score before going in,

when I know there'll be little in the way of narrative spoilers in your chats.

We do try, Ian.

Anyway, I just thought I'd see if you've ever considered Cameron Crow for an episode,

not just because he's king of the

needle drop, but also because of his expansive knowledge of film and music as a whole.

If you didn't see the full deluxe vinyl edition of the almost famous soundtrack that was

released last year, I did a cringe worthingly unboxing, which you can see here. Thanks for the

URL.

And you'll soon see there's probably an episode worth of material in the set alone.

Small tip, he recently opened a public Instagram account at Cameron Crow,

Cameron B Crow, sorry, where you'll be able to direct message him.

Let me know if you try, I'll be going over to New York for the opening of the AF musical in October and we'll happily mention you and soundtracking when I see him

if you want. Ian Miller, we would love it if you would mention us when you go across to see the

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