Episode 314: Composer Natalie Holt On The Music Of Obi-Wan Kenobi
Soundtracking with Edith Bowman
Edith Bowman
4.6 • 786 Ratings
🗓️ 5 July 2022
⏱️ 38 minutes
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| 0:53.7 | It's about keeping |
| 0:54.4 | everything secure. Hello there. That introduction to this week's podcast will become relevant |
| 1:00.3 | once I introduced this week's guest and you kind of see what I'm talking about. Thank you very much |
| 1:05.3 | for joining me for another episode of Soundtracking with me, Edith Bowman, where I dive into the minds |
| 1:10.1 | of the great and good |
| 1:11.2 | from the world of music, film and TV to talk about the beautiful and unique relationship |
| 1:16.5 | between music and the moving image. And we are thrilled to welcome back a lady who was |
| 1:23.0 | previously on the podcast with her director, but Natalie Holt is back on soundtracking. She's the wonderful |
| 1:30.2 | composer of things like Loki, but most recently providing the score for Obi-1 Canobi on Disney Plus, |
| 1:37.2 | which me and my boys absolutely loved. Hello there. You see, that's what I was trying to do. |
| 1:43.5 | Amongst the many lovely things which |
| 1:44.9 | happened during the scoring process for Natalie were meeting none other than a legend that is |
| 1:50.1 | John Williams and friend of the show Ludwig Gornson, of which more shortly. First, a word from |
| 1:56.3 | my very good friend at Shopify. Now, I've said this before. One of the many things about |
| 2:00.6 | soundtracking that we're very proud of is that we started it on our own, which gives us |
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