4.7 • 1.2K Ratings
🗓️ 28 October 2015
⏱️ 61 minutes
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0:00.0 | The Oh, Hey, this is El Gore from the Talk Without Rhythm Podcast, and you are listening to the Faculty of |
0:47.0 | Orr. Good choice. |
0:52.0 | Hi, everyone. Good choice. |
0:57.1 | Hi everyone. Welcome back to the Faculty of Horror Podcasting from the Harrod Halls of Academia and happy Halloween everyone. It is |
1:02.3 | October. It is getting crisper and crisper here in Toronto. |
1:06.0 | The dollar stores are filled with amazing items that I always want to buy. |
1:10.0 | And we are back with our very, very special Halloween episode on The Exorcist. |
1:17.0 | What? Andrea? What? What? You were just saying something? No, I wasn't. Okay. You good? Yeah, yeah. |
1:27.6 | So welcome to our episode. We are so excited to talk about The Exorcist. What a huge film. What a tremendous film. This film actually |
1:36.0 | defies a lot of what we've said about the horror genre up till now as we'll talk about how |
1:41.1 | you know Hollywood likes to take a safe bet, but this movie was anything but a safe bet |
1:47.1 | in spite of the fact that it's an Academy Award winning filmmaker, William Friedkin, |
1:51.2 | who won an Academy Award for his previous work, The French Connection. filmmaker William |
1:54.3 | Wiedkine who won an Academy Award for his previous work, the French Connection, |
1:54.8 | William Peter Bladty, this was a best-selling novel. |
1:58.0 | So on the one hand it was kind of a sure thing, but when you look at the film |
2:01.9 | and you look at the risks it took and the rules it |
2:04.8 | broke it's really tremendous and the film in my opinion stands on its own there's |
2:10.1 | been nothing like it ever since. Absolutely not. |
2:12.8 | And it's still such a cultural touchstone. |
2:16.2 | Actually a few weeks ago, I went to see the new Johnny debt |
2:19.3 | movie, Black Mass, about Whitey Bulger and the kind of whole Boston Crime Syndicate. |
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