Episode 261: Composer Emilie Levienaise-Farrouch On Her Score For Censor

Soundtracking with Edith Bowman

Edith Bowman

Music, Tv & Film, Arts

4.6 • 754 Ratings

🗓️ 28 August 2021

⏱️ 54 minutes

🔗️ Recording | iTunes | RSS

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Summary

Our latest guest is a composer who has been on the podcast before, but is appearing by herself for the first time.

Emilie Levienaise-Farrouch joined me, Carly Paradis and Amelia Warner for a very special Soundtracking Live at the BFI back in June 2019. In this episode, she's here to discuss her work on Censor, a smart, scary British horror which is out in cinemas now. Directed by Prano Bailey-Bond and starring Niamh Algar, the film tells the story of Enid, a video nasty censor who links a particularly disturbing movie with the disappearance of her sister.

It is beautifully scored by Emilie - at once acknowledging the classic video nasties of the 70s and 80s while having its own distinctive voice. And the good news is, it's soon to be released on vinyl by our good pals at Invada Records. Hurrah!

Transcript

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0:00.0	Hello, this is Simon Mayo.
0:01.4	And this is Mark Kermote.
0:02.6	He's the UK's best and most trusted film critic.
0:05.4	He's a best-selling writer, broadcaster and national treasure.
0:08.7	Far too kind.
0:09.6	Kermode and Mayo's take has all the reviews you need.
0:12.7	And star guests, such as Sir Ian McKellen.
0:15.7	Nice to be with you.
0:16.7	Emma Stone.
0:17.5	That sounds like something I would love to be a part of.
0:19.8	Ewan McGregor.
0:20.8	I'm very good.
0:21.4	How are you doing?
0:21.9	Kate Planchett.
0:22.8	What was that word you used?
0:24.0	Ketimpera's Take All the Film You Need, available wherever you get your podcasts.
0:29.8	Hi, folks.
0:30.8	Welcome along to another episode of my podcast.
0:33.7	I shall apologise immediately for my huskiness and deep voice this week.
0:40.5	That's because I had the day and we'll have today as well at All Points East Festival in East London.
0:47.7	Phenomenal day. So good. It was brilliant. As you can probably tell, I sung along quite a lot.
0:53.7	Hence why I have a slight
	...

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