Episode 260: Ferdinando Cito Filomarino On The Music Of Beckett & Ryuichi Sakamoto

Soundtracking with Edith Bowman

Edith Bowman

Music, Tv & Film, Arts

4.6 • 754 Ratings

🗓️ 20 August 2021

⏱️ 46 minutes

🔗️ Recording | iTunes | RSS

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Summary

Our latest guest on Soundtracking is an Italian screenwriter and director who is absolutely charming company - and super-talented to boot.

Ferdinando Cito Filomarino - or Ferdy for short! - has collaborated multiple times with former guest on this show, Luca Guadagnino, and also brought us a couple of feature films of his own. The latest of these is Beckett, which you can watch now on Netflix.

Starring John David Washington and Alicia Vikander, Beckett tells the story of a tourist who becomes the subject of a manhunt following an accident while holidaying in Greece. Excitingly, Ferdy's film is scored by none other than Ryuichi Sakamoto - who provides a typically layered soundscape. As always, we'll pepper plenty of his music throughout the conversation.

Transcript

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0:54.4	everything secure. Hello, good morning, good afternoon, good evening. How are you doing? Thanks so
1:01.0	much for joining me for another episode of my weekly podcast, soundtracking, my pride and joy.
1:09.3	It's lovely to have you along with us. Thank you very much indeed.
1:12.6	For those of you who are maybe quite new to the podcast, we've been running it for five years now.
1:18.0	And one of the main things that we wanted to make sure that we did when we started the show was
1:22.8	nothing was really defined in terms of our guests, apart from that we could have a conversation about film and music.
1:29.9	We don't always want to have to rely or need to rely on a big name,
1:35.5	on someone that you are incredibly familiar with.
1:38.6	Sometimes they are, but sometimes they're not.
1:41.6	The whole point of the podcast and what we really wanted it to feel like was a conversation
1:48.0	and a conversation about people's creativity in the world of film and how the world of film
1:55.4	and music converge and create something spectacular and wonderful and unique to every film and every opportunity
2:02.9	that they have this relationship with. So that's why on some weeks on the show you recognise
2:09.1	people and some weeks you won't. But I very much hope that whether that's the case or not,
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